Ghana Entertainment News

The latest Ghana entertainment and showbiz news: music, movies, celebrities, and culture. Curated from Ghana's leading newsrooms and refreshed through the day, newest first.

Big Chef Season 5: Contestants Brace for High-Stakes Ampesi Challenge as Eviction Looms
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Big Chef Season 5: Contestants Brace for High-Stakes Ampesi Challenge as Eviction Looms

The heat is rising in the kitchen as Big Chef Season Five enters its third episode this Sunday. Young culinary talents are preparing to tackle the "Ampesi Challenge," a test centered on one of Ghana’s most beloved traditional meals. With the competition intensifying, the stakes have never been higher, as two contestants now face the very real possibility of eviction if their culinary execution fails to meet the judges' rigorous standards. The episode is scheduled to air this Sunday at 4:00 pm on Joy Prime. The upcoming episode follows a dramatic turn of events in the previous "Gari Fotor Challenge." During that round, Setthlyne distinguished herself with exceptional skill, earning the coveted title of Star Chef of the Day. Conversely, the pressure proved too much for contestants Yayra and Michael, who found themselves in the bottom two. While host Michelle Agyekum ultimately intervened to save Yayra from elimination, the reprieve has only served to heighten the competitive atmosphere as the remaining chefs realize that past safety offers little protection against future mistakes. This week, the focus shifts to the technical art of preparing Ampesi. Judges Chef Michael and Chef Gigi will be looking for more than just basic cooking skills; they will evaluate contestants on their flavor profiles, presentation, and technical mastery of the dish. For the young chefs, successfully elevating a traditional staple like Ampesi requires a delicate balance of respect for heritage and modern culinary flair. A single error in seasoning or a lack of cohesion on the plate could result in a double eviction, significantly narrowing the field of competitors. Beyond the main competition, fans can follow the contestants' personal journeys and behind-the-scenes moments on the "JP Diaries," which airs every Tuesday at 5:00 pm. As the season progresses, the "Ampesi Challenge" serves as a critical junction that will determine which of these aspiring chefs possesses the resilience and creativity necessary to remain in the hunt for the title. With the looming threat of elimination for two participants, this Sunday’s episode marks a pivotal moment in the fifth season of the popular reality show.

Gospel Artiste Adom Kiki Releases New Worship Single ‘Nyame Aboa Me’ Following 2026 TGMA Nomination
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Gospel Artiste Adom Kiki Releases New Worship Single ‘Nyame Aboa Me’ Following 2026 TGMA Nomination

Adom Kiki, the award-winning gospel musician, has officially released his latest worship single, 'Nyame Aboa Me.' The song serves as a powerful thanksgiving anthem, dedicated to celebrating the faithfulness, grace, and mercy of God. Debuted during a live performance on Joy Prime’s Prime Time, the track arrives at a significant juncture in the artiste’s career, following his high-profile participation in the 2026 Telecel Ghana Music Awards (TGMA). The release captures a blend of gratitude and professional resilience, as the artist uses his platform to share a message of divine support. During his appearance on Prime Time, Adom Kiki opened up about his experience as a nominee for the prestigious New Artiste of the Year award. Although he did not take home the trophy, the singer reflected on the event with a sense of maturity and peace. He admitted to feeling the palpable tension and anxiety within the auditorium during the announcement but emphasized that he maintains a positive outlook. Rather than seeing the loss as a setback, he described the outcome as a necessary part of his journey, expressing acceptance and gratitude for the platform the nomination provided. The artist also provided insight into the deep-seated faith that drives his creative process. Raised with a strong Christian foundation, Adom Kiki noted that his upbringing is the primary influence on his music and lifestyle. This devotion is so apparent in his demeanor that he shared how he is occasionally mistaken for a clergyman by members of the public. 'Nyame Aboa Me' is a direct reflection of this spiritual background, intended to resonate with listeners through its message of steadfast reliance on divine assistance. As Adom Kiki transitions into this new chapter of his career, 'Nyame Aboa Me' stands as a declaration of his continued commitment to the gospel genre. The song’s release signals a shift from the competitive atmosphere of award season to a space of pure worship and reflection. For the artiste, the new single is more than just a musical release; it is a heartfelt testimony of his endurance and a reaffirmation of his faith, positioning him as a resilient figure in Ghana’s contemporary gospel music scene.

Ghana High Commissioner to the UK visits Barosky in Manchester
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High Commissioner Sabah Zita Benson Pledges Support to Veteran Musician Barosky in Manchester

Ghana’s High Commissioner to the United Kingdom, Her Excellency Mrs. Sabah Zita Benson, has visited veteran Highlife musician Barosky in Manchester to assess his welfare and offer assistance following reports of his recent hardships. The diplomatic intervention comes after distressing social media footage emerged, showing the musician in a vulnerable state and sparking widespread concern among Ghanaians both at home and in the diaspora. The High Commissioner’s visit, which was officially reported on August 29, serves as a formal response to calls from industry figures and the public for the state to intervene in the artist's welfare and help him navigate his current difficulties. During her meeting with the musician, Mrs. Benson praised Barosky for his enduring legacy and significant contributions to the Ghanaian music landscape. She emphasized that the High Commission is committed to exploring practical support options to help him rebuild his life and regain stability. Crucially, the High Commissioner indicated that her office stands ready to facilitate his repatriation and provide the necessary logistics should he choose to return to Ghana to seek a fresh start. Barosky, clearly moved by the gesture, expressed his profound gratitude to the High Commissioner and the Ghanaian community for their outreach, stating that he is now open and willing to return home. Beyond immediate government assistance, Mrs. Benson underscored the need for a broader community-led effort to ensure the musician’s long-term stability. She called on stakeholders within the creative arts industry and the general public to provide collective support, noting that such interventions are vital for preserving the dignity of national icons who find themselves in distress. As discussions regarding the specifics of his support package continue, the visit has reignited a national conversation about the welfare of veteran entertainers and the importance of establishing sustainable safety nets for those who have spent their lives enriching Ghana's cultural heritage.

YOMI BOIZ Celebrate 'CHIOMA' Streaming Milestone as Sista Afia Issues Health Warning to Performers
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YOMI BOIZ Celebrate 'CHIOMA' Streaming Milestone as Sista Afia Issues Health Warning to Performers

The Ghanaian entertainment landscape is witnessing a blend of rising success and a push for higher professional standards. Music duo YOMI BOIZ, comprised of University of Ghana cousins Appiah Daniel (known as Locomotion) and Anim Ansong Albert (Kwaku Trappa), have reached a significant career milestone with their latest single, 'CHIOMA.' The track has officially surpassed 300,000 streams on Audiomack, signaling a breakthrough for the independent duo who have been building their brand since 2019. Meanwhile, established star Sista Afia has turned the spotlight on professional hygiene, urging her fellow performers to take proactive steps against the spread of germs during live shows. YOMI BOIZ's success with 'CHIOMA' represents a notable achievement in the competitive Afrobeat-Amapiano fusion space. The song, which centers on themes of love and admiration, has resonated deeply with audiences not only in Ghana but also significantly in Nigeria. Balancing their academic responsibilities at Legon with their musical ambitions, the cousins attributed their streaming success to relentless hard work and a growing international listener base. Looking ahead, the duo aims to inspire other young creatives to pursue their artistic passions while in school and is currently preparing to release official visuals for the hit track to capitalize on its digital momentum. As these rising stars prepare for more frequent stage appearances, Sista Afia is emphasizing the practical—and often overlooked—realities of the touring circuit. In a public appeal, the musician highlighted the potential health risks associated with shared equipment. She advocated for artists to either invest in personal microphones or ensure that shared ones are thoroughly disinfected before use. Her recommendations included the use of disinfectant sprays and sanitizing wipes to mitigate the risk of illness, noting that while not all post-show ailments are equipment-related, taking precautions is a vital aspect of maintaining a long and healthy career. These developments underscore a maturing industry where digital success and professional safety standards are increasingly prioritized. While YOMI BOIZ represent the next generation of talent scaling digital platforms and breaking geographic borders, Sista Afia’s advocacy points toward a need for better health protocols within the live performance sector. Together, these stories highlight the multifaceted nature of the modern Ghanaian music scene, where artistic growth must be supported by both digital engagement and personal well-being.

Nana Frema and Carterefe Share Candid Insights on Family Privacy and Past Infidelity
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Nana Frema and Carterefe Share Candid Insights on Family Privacy and Past Infidelity

Ghanaian entertainment figures Nana Frema Koranteng and Carterefe have recently opened up about their personal lives, touching on themes of family privacy and the pain of past relationships. While musician Nana Frema focuses on protecting the future of her children, comedian Carterefe shared a raw account of a betrayal that ended a previous relationship. These revelations offer a glimpse into the private challenges faced by public figures in the digital era. Nana Frema Koranteng has been vocal about her decision to strictly limit the amount of information and imagery she shares of her children on social media platforms. She explained that her primary motivation is the protection of her children’s autonomy, noting that they are currently at an age where they cannot consent to having a public presence. By withholding their lives from the internet, she aims to ensure they have the right to choose their own level of visibility once they are old enough to understand the implications of a digital footprint. In a contrasting narrative of public vulnerability, comedian and streamer Carterefe recounted a traumatic experience from a past relationship during an interview with British media personality Madame Joyce. He detailed how a simple request during a video call led to the discovery of his ex-girlfriend’s infidelity. According to Carterefe, he asked her to turn on the lights during their conversation, which inadvertently revealed that she was in a hotel room with another man, a moment he describes as a deeply painful turning point in his life. These stories highlight the diverse ways Ghanaian celebrities manage the intersection of their public and private lives. Whether it is through the proactive shielding of family members as demonstrated by Nana Frema or the candid sharing of personal heartbreak by Carterefe, both entertainers are navigating the complexities of fame. Their experiences resonate with a public that is increasingly interested in the human stories behind the professional personas of their favorite stars.

Bernard Amankwah’s Celebration of His Grace on Sept 27
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Bernard Amankwah to Host 19th Edition of 'Celebration of His Grace' Concert at National Theatre

Gospel sensation Bernard Amankwah is set to mark nearly two decades of ministry with the 19th edition of his flagship "Celebration of His Grace" concert. Scheduled for Sunday, September 27, 2025, the event will take place at the National Theatre in Accra, starting at 6 p.m. This annual gathering has become a cornerstone of the Ghanaian gospel calendar, drawing worshippers from across the country for an evening dedicated to praise, reflection, and spiritual renewal. The 2025 edition features a powerful lineup of seasoned and contemporary gospel ministers. Joining Amankwah on stage are the legendary Philipa Baafi, whose high-energy praise songs have inspired many, as well as Dave de Musicbox and P.S. Roderick Agyekum. The collaboration of these diverse musical styles aims to create a multifaceted worship experience, ranging from deep meditative hymns to vibrant contemporary gospel tracks. Amankwah has stated that the primary objective of this year’s concert is to express profound gratitude to God for His sustaining grace over the years. Beyond the music, Amankwah intends for the concert to serve as a platform for addressing pressing societal issues, a tradition he has maintained throughout the event's history. Reflecting on the journey of organizing the concert for 19 years, the singer acknowledged the numerous challenges he has faced but emphasized that the support of the Christian community and his faith have seen him through. He promised attendees not only a night of musical excellence but also a significant spiritual encounter that offers both physical and emotional benefits through the power of worship. As the event approaches, anticipation is building within the gospel music industry for what remains one of the most consistent annual religious events in Ghana. The concert's longevity is a testament to Amankwah's dedication to his craft and his mission. For the audience, the 19th milestone serves as a spiritual precursor to the grand 20th anniversary planned for next year, reinforcing Amankwah's commitment to using his artistry as a tool for national unity and spiritual upliftment.

 We’re promoting art, not juju — MzBel on newly opened Afro Essence Village
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MzBel Unveils Afro Essence Village to Champion Ghanaian Cultural Heritage in Gbawe

Hiplife artiste Belinda Nana Ekua Amoah, popularly known as MzBel, has officially launched the Afro Essence Village in Gbawe, Accra, marking a significant transition in her career toward cultural advocacy. The new creative hub is a transformation of her former BelKids Playground, repurposed to serve as a sanctuary for the celebration and promotion of Ghanaian art and culture. By establishing this center, MzBel aims to provide a dedicated space where both locals and international visitors can experience the nation's rich traditions firsthand. The Afro Essence Village is designed to function as a living museum and creative incubator. MzBel’s vision for the space includes a strong educational component, integrating traditional drumming and dance classes specifically for children to ensure that the younger generation remains connected to their ancestral roots. Furthermore, the village serves as a permanent gallery for various artists to showcase sculptures, artefacts, and other creative works, fostering a community of creators and providing them with a visible platform to engage with the public. Addressing public discourse surrounding the venue, the artist has firmly rebutted claims that the village promotes "juju" or occult practices. These rumors, sparked by the presence of traditional sculptures and indigenous artefacts, were met with MzBel's clarification that the aesthetic is a deliberate tribute to Ghana’s historical identity. She emphasized that the hub is about reclaiming and honoring cultural symbols that are often misunderstood, urging the public to view the displays as essential pieces of national heritage rather than through a lens of superstition. Looking ahead, MzBel intends to position Gbawe as a primary cultural hotspot within the Greater Accra Region, leveraging her influence in the entertainment industry to bolster the local creative economy. The launch of Afro Essence Village represents a long-term commitment to legacy-building, focusing on the preservation of Ghanaian identity and the promotion of cultural tourism. By creating this hub, the artiste seeks to provide a lasting contribution to the arts that will benefit both the creative community and the general public for years to come.

Ghanaian Cellist and Singer Kween Katiyana Releases Bold Breakup Anthem 'Fvck Yourself'
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Ghanaian Cellist and Singer Kween Katiyana Releases Bold Breakup Anthem 'Fvck Yourself'

Ghanaian music sensation Kween Katiyana has officially released her latest single, "Fvck Yourself," a bold and unapologetic anthem that is already making waves in the contemporary African music scene. The track serves as a fierce response to betrayal, positioning the rising singer and songwriter as a powerful voice for those navigating the aftermath of broken trust. With its raw emotional honesty, the song is designed to resonate with listeners who have experienced the complexities of ending toxic relationships and the subsequent journey toward self-reclamation. Beyond her vocal prowess, Katiyana brings a unique musicality to her work as both a songwriter and a trained cellist. This multi-instrumental background provides a sophisticated foundation for "Fvck Yourself," allowing her to depict the nuances of emotional pain and resilience with significant depth. The release showcases her ability to blend raw, vulnerable sentiment with an assertive stance, effectively capturing the strength required to move on from a difficult past. Her artistry is defined by this balance of vulnerability and defiance, which she uses to affirm her presence as a significant figure in the evolving landscape of African pop and soul. As Kween Katiyana continues to build her profile, this latest release marks a pivotal moment in her career, demonstrating her growth and readiness to tackle provocative themes. By channeling personal strength into a relatable anthem, she has crafted a song that is as much about empowerment as it is about heartbreak. Industry observers view this track as a testament to her rising influence, suggesting that her distinct sound and fearless approach to storytelling will continue to carve out a unique space for her in both the Ghanaian and international music markets.

Amerado Burner Reveals Rift with Fameye and Shift Toward Mature Musical Style
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Amerado Burner Reveals Rift with Fameye and Shift Toward Mature Musical Style

Ghanaian rapper Amerado Burner has provided a rare glimpse into his personal and professional evolution, revealing a significant breakdown in his relationship with fellow musician Fameye. During a recent interview on Hitz FM, the rapper confirmed that he and the "Nothing I Get" hitmaker are no longer on good terms. Despite their history of successful collaborations, including the popular track "Twa So" and the remix of Amerado’s own "Kwaku Ananse," the rapper admitted he is uncertain about what triggered the fallout. He noted that since Fameye was the first to stop discussing their friendship, he has chosen to follow suit, opting not to investigate the cause or engage in public debate over the matter. Beyond his personal industry relationships, Amerado also addressed his changing artistic direction, admitting that he finds it difficult to create music specifically for the Gen Z demographic. He stated that he cannot produce songs tailored for the younger generation unless they are written for him by someone else, as his natural inclination now leans toward a more mature sound. While acknowledging the importance of the youth audience in the modern music landscape, he emphasized that he is not focused on catering to them directly, believing instead that younger listeners will eventually grow into and appreciate his style as they age. This shift in focus suggests a strategic move by Amerado to prioritize longevity and artistic depth over fleeting viral trends. By choosing to step back from the pressures of Gen Z-focused content and remaining silent on personal grievances with colleagues, the rapper appears to be carving out a more deliberate, adult-oriented niche for himself in the Ghanaian music industry. As he continues to evolve, fans and industry observers alike will be watching to see how this transition impacts his future discography and whether his once-fruitful partnership with Fameye can ever be repaired.

Nana Ama McBrown Applauds DJ Switch’s Global Growth While Oboy Siki Defines Professional Boundaries
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Nana Ama McBrown Applauds DJ Switch’s Global Growth While Oboy Siki Defines Professional Boundaries

Ghanaian actress and media personality Nana Ama McBrown has recently made headlines for her glowing assessment of young superstar DJ Switch. McBrown, a cornerstone of the Ghanaian entertainment industry, expressed deep admiration for the young disc jockey's progression from a local talent show winner to an international figure. This public endorsement comes at a time when industry dynamics are increasingly under the spotlight, with other veterans like Oboy Siki also weighing in on their professional relationships with McBrown and her colleagues. McBrown’s praise for DJ Switch, born Erica Armah Bra-Bulu Tandoh, centers on the teenager's remarkable confidence and her ability to capitalize on the opportunities that followed her victory on TV3’s "Talented Kids." McBrown went as far as to state that she wished she were related to the young star, emphasizing how impressed she is by the way DJ Switch has navigated her fame and expanded her brand globally. The actress noted that the young DJ’s growth serves as a testament to effective talent management and personal drive within the Ghanaian creative space, marking her as a significant success story for the nation. While McBrown celebrates the younger generation, she remains a subject of discussion among her peers. Veteran actor Oboy Siki recently clarified his stance on McBrown during an interview with Aluta FM. Siki revealed that his support for the actress is largely a gesture of solidarity with comedian Dr. Likee, with whom he shares a close friendship. He explained that while he does not necessarily follow or support her work as a personal preference, his loyalty to Dr. Likee ensures a professional level of backing. Siki was quick to point out that this does not stem from any personal animosity, but rather from a desire for individual recognition, noting he would only attend her movie premieres if personally invited. These developments highlight the complex web of mentorship, peer relationships, and mutual respect within Ghana's entertainment sector. Whether it is McBrown’s vocal encouragement of rising stars like DJ Switch or Oboy Siki’s insistence on personal invitations and professional boundaries, the narratives underscore a community where personal connections often dictate professional alignments. As DJ Switch continues to represent Ghana on the world stage, the industry remains a vibrant blend of veteran guidance and evolving interpersonal dynamics that continue to shape the public's perception of its stars.

Reuters Justin Baldoni in a pink suit posing in front of a grey backdrop with large pink letters at a film premiere
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Blake Lively Awarded $400,000 in Legal Fees Following Dismissal of Justin Baldoni’s Defamation Suit

A California judge has awarded actress Blake Lively approximately $407,451 in legal fees, a significantly smaller sum than the $8 million she had originally requested following the dismissal of a defamation lawsuit filed by her former co-star, Justin Baldoni. The ruling marks a major milestone in the high-profile legal friction stemming from the production of the film "It Ends With Us." While Lively successfully moved to have the defamation claim thrown out, the court determined that her request for total reimbursement was disproportionate to the specific legal work required for that portion of the litigation. The legal conflict originated when Lively initially filed a lawsuit against Baldoni, alleging sexual harassment and retaliation during their time working together on set. Baldoni countered with a defamation suit, which a judge dismissed in 2025. Following that dismissal, Lively’s legal team sought $7.5 million in attorney fees and an additional $540,000 in related costs, arguing that Baldoni’s suit was a retaliatory measure intended to punish her for coming forward with her original allegations. In his assessment of the fee request, the presiding judge characterized the $8 million demand as "excessive," noting that the calculation included costs that were not directly related to the defense of the defamation case. By reducing the award to roughly $400,000, the court emphasized that legal fee recovery must be strictly tied to the specific legal actions at hand. This decision highlights the court's role in balancing the right to recover costs with the necessity of reasonable billing practices, even in high-stakes celebrity litigation. Despite the significant reduction in the requested amount, both legal teams have publicly framed the court's decision as a victory. Baldoni’s representatives pointed to the drastic reduction in the payout as a successful challenge to what they termed overreaching financial demands. Meanwhile, Lively’s camp celebrated the fact that the court upheld the principle of holding Baldoni responsible for legal expenses incurred due to a retaliatory suit. The case serves as a notable example of how California’s legal framework protects harassment accusers from strategic lawsuits against public participation (SLAPP) while maintaining strict oversight on legal expenditures.

Ghana Tourism Authority Extends Deadline for 'December in GH' 2026 Event Proposals
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Ghana Tourism Authority Extends Deadline for 'December in GH' 2026 Event Proposals

The Ghana Tourism Authority (GTA) has officially announced an extension for the submission of event proposals for the 2026 edition of the 'December in GH' campaign. Event organisers now have until September 7, 2026, to submit their concepts for consideration. This extension provides additional time for creatives and promoters to refine their plans for the annual festival, which is scheduled to run from December 1, 2026, through January 3, 2027. The initiative has become a cornerstone of Ghana’s tourism calendar, transforming the country into a global hub for holiday celebrations during the year-end period. 'December in GH' is designed to showcase the richness of Ghanaian culture through a diverse array of experiences, including music, food, fashion, and traditional arts. By curating a wide-ranging calendar of activities, the GTA aims to attract both the Ghanaian diaspora and international tourists, while also encouraging domestic tourism. The campaign serves as a strategic platform to highlight Ghana’s unique hospitality and creative talent, positioning the nation as a preferred destination for festive tourism in Africa. The Authority is particularly interested in events that offer unique cultural value and can contribute to the overall vibrancy of the season. Organisers interested in participating are encouraged to submit innovative and high-quality event concepts through the GTA’s designated online platform. Successful proposals will be integrated into the official national campaign, benefiting from the Authority’s extensive marketing and promotional efforts. For those requiring further clarification or assistance during the application process, the GTA International Affairs Secretariat remains available for inquiries. This call for proposals highlights the government's ongoing efforts to leverage the creative arts and tourism sectors as vital drivers of economic growth and national branding. The 2026 season is expected to build on the successes of previous years, further solidifying Ghana's reputation as a leader in cultural tourism. As the deadline moves to September, the GTA expects a surge in creative submissions that will define the festive landscape for both locals and visitors alike. By providing a structured framework for event endorsement, the GTA ensures that 'December in GH' maintains a high standard of quality and safety, offering a world-class experience to all participants.