Ghana Entertainment News

The latest Ghana entertainment and showbiz news: music, movies, celebrities, and culture. Curated from Ghana's leading newsrooms and refreshed through the day, newest first.

Hunnyboy releases motivational single 'Peace of Mind' ahead of debut album
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Ghanaian Musicians Hunnyboy and P.Y. Adomako Lead New Releases as Industry Celebrates Career Milestones

The Ghanaian entertainment landscape is buzzing with fresh sounds and significant professional achievements, ranging from motivational Afro-fusion tracks to socially conscious gospel music. Afro-fusion artiste Hunnyboy and gospel musician Patrick Yaw Adomako (P.Y. Adomako) have both launched new singles aimed at inspiring personal and national progress. These releases coincide with a broader focus on the industry’s back-end success, highlighted by the enduring 15-year partnership between MOGmusic and his manager, Cecil Quartey, alongside event announcements from rising stars like DJ Panzy. Hunnyboy’s latest offering, "Peace of Mind," serves as a precursor to his highly anticipated debut album. The track is designed to encourage resilience and self-belief among the youth, utilizing soothing Afro-fusion rhythms to deliver a message of patience and perseverance. The release follows a fan appreciation tour and has already begun generating significant social media engagement. Hunnyboy emphasizes that the song is an anthem for young people to remain focused on their personal growth despite life's inevitable challenges, stressing that success is a product of consistency. In a similar vein of social impact, P.Y. Adomako released his single "Better Ghana" on August 30, 2025, featuring Emefa and Chajay. Unlike Hunnyboy's focus on individual resilience, Adomako’s work tackles pressing national issues, including illegal mining (galamsey) and corruption. The song calls for collective accountability from both leaders and citizens, advocating for a sense of moral responsibility to foster systemic change. Adomako stresses that the dream of a "Better Ghana" is achievable only through the combined efforts of the government and the governed, urging listeners to reflect on their roles in society. Beyond the music itself, the industry is reflecting on the critical role of artist management in building sustainable international careers. The partnership between award-winning gospel artiste MOGmusic and his manager, Cecil Quartey, has been highlighted as a prime example of professional synergy. Over their 15-year journey, Quartey’s extensive planning and relationship management were instrumental in MOGmusic’s recent success at London’s OVO Wembley. This milestone underscores the necessity of strong management to navigate the complexities of the global creative market and build sustainable artistic legacies. Looking ahead, the live event scene continues to expand with fast-rising disc jockey Paul Mawunya Agyeman, known as DJ Panzy, announcing his first headline show. Titled "Panzy’s Groove," the event is scheduled for October 10, 2026, and promises fans an intimate night of music and entertainment. Together, these developments—ranging from new musical releases to management tributes and event announcements—underscore a dynamic Ghanaian creative industry that continues to balance artistic innovation with social advocacy and professional excellence.

Renowned British Film Producer Jeremy Thomas Dies at 77 Following Decades of Cinematic Excellence
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Renowned British Film Producer Jeremy Thomas Dies at 77 Following Decades of Cinematic Excellence

Jeremy Thomas, the legendary British film producer who brought epic scale and bold artistic vision to the screen, has passed away at the age of 77. Thomas died peacefully on Friday at his home in Oxfordshire, surrounded by his family. Best known for producing the 1987 masterpiece "The Last Emperor," which swept the Academy Awards, Thomas's career spanned over 50 years and solidified his reputation as one of the most significant figures in international independent cinema. His professional legacy is perhaps most defined by his collaboration with Italian director Bernardo Bertolucci on "The Last Emperor." The film made history by winning nine Oscars in 1988, including Best Picture, and earning Thomas the Academy Award for Best Producer. Throughout his five-decade career, Thomas was celebrated for his willingness to take risks on complex, auteur-driven projects. He formed long-standing creative partnerships with some of the industry’s most provocative directors, including David Cronenberg, with whom he worked on "A Dangerous Method," and Nagisa Oshima for the classic "Merry Christmas, Mr. Lawrence." Beyond the accolades for individual films, Thomas was a pillar of the European and British film communities. His filmography, which includes the gritty cult favorite "Sexy Beast," demonstrated a remarkable range that spanned from intimate character studies to grand historical dramas. In recognition of his enduring contributions to the craft, he was honored with the European Film Academy’s award for Outstanding European Achievement in World Cinema in 2006. His service to the arts was further recognized in 2009 when he was appointed a Commander of the Order of the British Empire (CBE) in the New Year Honours. Even in his final years, Thomas remained an active force in the industry, continuing to champion unique voices in film. His latest project, "Bad Lieutenant: Tokyo," serves as a final testament to his enduring passion for cinema and is scheduled to have its world premiere at the Toronto Film Festival. As the global film community mourns his loss, Thomas will be remembered not only for his impressive collection of awards but for his unwavering commitment to independent filmmaking and his ability to bring sophisticated, challenging stories to a global audience.

Lil Durk holding the Grammy Award he won for best melodic rap performance in 2024
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Lil Durk Acquitted of Federal Murder-for-Hire Charges but Faces Upcoming Racketeering Trial

Grammy-winning rapper Lil Durk, real name Durk Devontay Banks, has been acquitted of all charges in a high-profile federal murder-for-hire case in Los Angeles. The 32-year-old Chicago native was cleared of five felony counts by a jury after three days of deliberations. The case centered on a 2022 shooting that resulted in the death of Saviay’a Robinson, the cousin of rival rapper Quando Rondo. Prosecutors had alleged that Banks orchestrated the attack as part of a revenge plot linked to the 2020 killing of King Von, a prominent member of Durk’s 'Only The Family' (OTF) collective. Despite this acquittal, Banks remains in federal custody as he faces a separate trial for racketeering, murder, and firearms charges, which is scheduled to begin on October 5. During the proceedings, the defense expressed gratitude for the verdict while federal prosecutors noted their intention to present further evidence in the upcoming racketeering case. While Banks was found not guilty, two of his co-defendants, Deandre Wilson and David Lindsey, saw mixed results; they were convicted of stalking charges but were also acquitted of the primary murder-for-hire counts. The trial relied heavily on the testimony of three cooperating witnesses who provided insight into the alleged gang-related rivalries within the music industry. Lil Durk continues to be a major force in the rap world, having won a Grammy in 2024 for his hit song 'All My Life' featuring J Cole. The outcome of his next trial will be critical for his career, which currently sits at a crossroads between legal exoneration and ongoing federal scrutiny. This legal victory marks a significant milestone for the artist, though his immediate future remains tied to the judicial system as the next phase of his legal battle approaches.

Gospel artiste Bernice Offei dies
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Gospel Legend Bernice Offei Dies at 63 Following Brief Disappearance

The Ghanaian gospel music community is in mourning following the death of veteran singer and songwriter Bernice Offei, who passed away on September 12, 2026, at the age of 63. The news of her demise was first shared by fellow musician Nii Noi and gospel artist Nii Okai on social media, with prominent music producer Kwesi Ernest later confirming the loss of the woman he described as a "gospel music legend." Her passing has triggered a wave of tributes from fans, colleagues, and the Christian community, all of whom have expressed shock at the sudden loss of one of the industry's most respected voices. Offei’s death comes just days after a brief period of intense public concern regarding her well-being. In early September, her family issued an appeal for assistance after she was reported missing in Accra. Although she was located and returned home safely within 24 hours, reports from that time suggested she appeared physically unwell in viral photographs, raising questions about her health. While an official cause of death has not yet been confirmed by her family, the proximity of her passing to the missing-person incident has added a layer of poignancy to the news, particularly given the message of her most famous hit, "Life Is So Short." Beyond her musical career, Bernice Offei was celebrated for her unique dual identity as a professional banker and a scholar. She held an MPhil in Crop Science and a Master’s degree in Information Technology, maintaining a career in the banking sector even as she flourished in the ministry. Her musical discography includes six studio albums and over 40 songs, with her 2009 album, "Life," marking a career-high point. That year, she swept the Ghana Music Awards, winning both Best Female Vocal Performance and Songwriter of the Year for her insightful and faith-centered lyrics. Known for hits such as "Hold On," "Kaa She Gbeyei," and "Whom Am I," Offei’s work was characterized by themes of perseverance, gratitude, and the fragility of life. Her music continues to have a significant presence on digital platforms, ensuring that her messages of faith remain accessible to future generations. She is survived by her husband, Professor Samuel Kwame Offei, and their two children. As the nation prepares to bid her farewell, her legacy remains firmly rooted in the profound impact she made on the Ghanaian gospel landscape over her three-decade career.

Martin Keene/PA Wire Princess Diana arriving at the Serpentine Gallery wearing a dress designed by Christina Stambolian dress. The famous "revenge dress" worn worn by Diana during a Vanity Fair fundraising dinner at the Serpentine Gallery in London, on the same night her then-husband the Prince of Wales publicly admitted his infidelity on national television
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Shatta Wale Initiates Defamation Lawsuit as Princess Diana’s Iconic ‘Revenge Dress’ Heads to Auction

The entertainment world is currently witnessing two distinct yet powerful displays of public image management, spanning decades and mediums. While Ghanaian dancehall icon Shatta Wale has turned to the legal system to defend his reputation against modern social media claims, the international fashion community is preparing for a historic auction of Princess Diana’s most famous sartorial statement. Both instances highlight how high-profile figures navigate the pressures of public perception, utilizing either the weight of the law or the symbolic power of fashion to reclaim their personal narratives during periods of intense scrutiny. In the contemporary landscape of digital media, Shatta Wale has officially initiated legal proceedings against social media personality Priscilla Kyeremaa, popularly known as Prisywan. The lawsuit, filed by the musician’s legal representatives at Porta Legis Consultancy on September 10, 2026, stems from a TikTok video published on August 29, 2026. According to the legal team, the video contained false and damaging statements that have significantly tarnished the reputation of the award-winning artiste. This move underscores a growing trend among Ghanaian celebrities to hold digital influencers accountable for the content they disseminate to large, impressionable audiences. Parallel to this modern legal battle is the return of a legendary piece of fashion history to the auction block. Princess Diana’s "revenge dress," the iconic black silk evening gown designed by Christina Stambolian, is scheduled for auction by Sotheby’s on December 9, 2023. The dress earned its moniker after Diana wore it to a 1994 Vanity Fair party—the same evening Prince Charles publicly admitted to his infidelity in a televised interview. Experts at the auction house estimate the garment could fetch as much as $300,000 (£220,000). This event marks the first time the dress has been available for purchase since 1997, when the late Princess of Wales sold several of her gowns to raise funds for charitable causes. These developments illustrate the enduring importance of narrative control in the public eye. For Diana, the Stambolian dress was a tool of silent but potent communication, signaling her independence and strength following the collapse of her royal marriage. For Shatta Wale, the legal system serves a similar purpose in the digital age, acting as a shield against the viral nature of potentially defamatory content. Whether through the silent elegance of a silk gown or the formal filing of a lawsuit, the drive to protect and project a specific image remains a cornerstone of celebrity culture, reminding audiences that the stories told about these figures are often as carefully managed as the careers they represent.

Nana Aba Anamoah, Nana Frema Koranteng, and Daddy Freeze Ignite Social Media with Bold Personal and Theological Claims
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Nana Aba Anamoah, Nana Frema Koranteng, and Daddy Freeze Ignite Social Media with Bold Personal and Theological Claims

The Ghanaian and Nigerian entertainment landscapes have been electrified by a series of bold and unconventional statements from prominent media figures, ranging from playful academic rivalry to deeply personal and theological assertions. From lighthearted social media banter to claims of "immaculate conception," these figures are utilizing their digital platforms to challenge societal norms and spark intense public debate across West Africa. Ghanaian media icon Nana Aba Anamoah ignited a viral conversation following the Presbyterian Boys’ Secondary School (PRESEC) victory in the 2026 National Science and Maths Quiz (NSMQ). Taking to the platform X, Anamoah playfully teased men who did not attend the prestigious institution, jokingly labeling their lack of PRESEC affiliation an "educational disgrace." Her comments, while satirical, tapped into the deep-seated rivalry and prestige associated with the NSMQ, highlighting how academic achievements continue to serve as significant cultural markers in Ghana. In a more personal revelation, Ghanaian musician Nana Frema Koranteng has stunned audiences by claiming her second child, Jaden, was conceived without sexual intercourse. Speaking in an interview with MzGee, Koranteng likened her experience to the biblical account of the Virgin Mary and the birth of Jesus Christ. This bold assertion has generated significant skepticism and curiosity, as the musician maintains that the pregnancy was a divine surprise, further blurring the lines between personal testimony and religious allegory in the public sphere. Complementing these local stories, Nigerian media personality Daddy Freeze has sparked a theological firestorm regarding the nature of wealth and worship. Responding to comments made by content creator Peller at Pastor Tobi Adegboyega’s church in the United Kingdom, Freeze asserted during an Instagram Live session that "God doesn’t give people money." He argued that financial success is not tethered to religious devotion, suggesting that individuals do not need to serve God to achieve wealth. His critique aims at the prosperity gospel and encourages a re-evaluation of how faith and finance are perceived in contemporary society. Collectively, these incidents reflect the evolving nature of celebrity influence, where personal stories and opinions are used to engage followers in complex social and religious dialogues. As these narratives continue to trend, they underscore the power of social media as a primary arena for cultural negotiation, where the boundaries of belief, education, and success are constantly being redefined by high-profile public figures.

Aki carry pot, Pawpaw carry kettle — Aki’s wife reveals how actors shared property.
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Stephanie Promise Ikedieze and Comedian Jacinta Ocansey Reveal Key Milestones in Nollywood and Ghanaian Comedy

The West African entertainment landscape continues to evolve, with prominent figures sharing intimate details of their professional and personal journeys. Recently, Nollywood actress Stephanie Promise Ikedieze provided a humorous yet revealing look into the domestic transitions of the legendary duo Chinedu Ikedieze and Osita Iheme. Simultaneously, in the Ghanaian creative space, stand-up comedian Jacinta Ocansey has been vocal about the systemic changes and personal sacrifices that have elevated the local comedy industry into a more respected and recognized profession. Stephanie Promise Ikedieze, wife of the renowned actor Chinedu Ikedieze (popularly known as Aki), shared insights on September 10 regarding the transition her husband and his longtime screen partner, Osita Iheme (Pawpaw), made when they decided to no longer live together. In a video that quickly captured the public's imagination, she described the equitable and pragmatic way the two actors divided their household items. Using a lighthearted tone to describe their parting of ways, she remarked, "Aki carry pot, Pawpaw carry kettle," highlighting the mutual respect and simplicity with which the iconic pair handled their domestic separation after years of shared living. While Nollywood stars manage personal transitions, Ghanaian comedian Jacinta Ocansey is reflecting on a broader industrial shift within her own country. Jacinta, who began her comedy journey as a hobby during her teenage years, made the calculated decision to pursue it as a full-time career after completing her university education. She noted that the stand-up comedy scene in Ghana faced significant challenges in its early days and was not always as "attractive" or lucrative as it appears today. Through persistent effort and a commitment to the craft, she believes that she and her contemporaries have succeeded in transforming the sector into a recognized field that now commands greater respect. These narratives from Nigeria and Ghana underscore the maturity of the regional entertainment industry, where both the management of personal legacies and the professionalization of artistic crafts are taking center stage. As Aki and Pawpaw continue their respective paths and Jacinta further solidifies her presence on the Ghanaian stage, their stories serve as a testament to the resilience and growth of West African talent. The focus remains on how these icons continue to influence their respective spheres while adapting to the changing dynamics of fame and evolving professional standards.

Fadu readies for World Youth Festival in Russia
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Gyakie Expands African Influence with New Collaboration as Fadu Prepares for Global Stage in Russia

Ghanaian music stars are making significant strides both on the continent and the international stage, led by Gyakie’s latest high-profile collaboration and Fadu’s upcoming global representation. Gyakie has teamed up with the Nigerian duo Ajebo Hustlers for the new single "365 Days," while simultaneously opening up about the personal challenges of navigating sudden fame during her university years. Meanwhile, Ghanaian-Dutch musician Fadu is set to fly the national flag at the 2026 World Youth Festival in Russia, marking a pivotal moment for her career and Ghana's growing cultural presence abroad. The collaboration on "365 Days" delves into themes of love and commitment, showcasing Gyakie’s distinctive vocals alongside the Nigerian duo. This project, supported by her record label Flip The Music, is part of a strategic effort to solidify her influence within the Nigerian music industry and across the African continent. The release further cements Gyakie's reputation as a versatile artist capable of transcending borders and blending seamlessly with the competitive Afrobeats scene in Nigeria. However, the path to stardom was not without its social hurdles for the songstress. Reflecting on her rise to fame while still a student at the Kwame Nkrumah University of Science and Technology (KNUST), Gyakie shared on the Group Chat Podcast that her success brought unwanted attention. She recalled feeling "uncomfortable" when singled out by both students and lecturers during her final years, highlighting the difficulty of maintaining a normal academic life while her breakout songs were topping charts across the region. Adding to the momentum of Ghanaian artists reaching international audiences, Fadu is preparing for a major performance at the World Youth Festival in Yekaterinburg, Russia, scheduled for September 2026. The event, themed "Follow Your Dream," is expected to host approximately 10,000 young leaders from nearly 190 countries. Fadu, who was nominated for the Ghana Music Awards Europe in 2024/2025, plans to use this massive platform to showcase her unique musical identity, which heavily features the electric guitar. Her performance will highlight her latest single, "Body," as she seeks to reach a truly global audience. These developments underscore the diverse trajectories of modern Ghanaian talent. Whether through strategic cross-border collaborations or participation in massive international cultural forums, Ghanaian musicians are increasingly finding ways to project their voices far beyond their home borders. As Gyakie continues to dominate West African airwaves and Fadu prepares for the Russian stage, the Ghanaian entertainment industry continues to prove its resilience and global appeal.

Roverman Productions mark 18 years with 'Honey Trap'
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Roverman Productions Marks 18th Anniversary as West African Cultural Festivals and Dance Trends Thrive

The West African cultural scene is currently vibrant with major milestones and evolving traditions, ranging from the theatrical stages of Accra to the festive hills of the Volta Region and the energetic streets of Abidjan. Roverman Productions recently marked 18 years of theatrical excellence with the premiere of "Honey Trap" at Ghana's National Theatre, while hundreds gathered in Klefe for the annual New Yam Hailing Carnival. Simultaneously, Ivory Coast is witnessing the explosive rise of the "biama" dance phenomenon, highlighting a regional surge in creative expression that blends heritage with modern youth movements. In Accra, playwright James Ebo Whyte and Roverman Productions celebrated nearly two decades of influence with the debut of "Honey Trap." The play, which explores the complexities of love, suspicion, and deception through the story of a businessman named James, played to a packed house at the National Theatre. The production's anniversary run, which continued through mid-September, solidifies Roverman's position as a cornerstone of Ghanaian theatre, continuing its legacy of delivering high-quality drama that resonates with contemporary audiences. While theatre enthusiasts gathered in the capital, the people of Klefe in the Ho Municipality celebrated their cultural roots with the New Yam Hailing Carnival. This annual event, which marks the arrival of the new harvest, featured traditional music and a unique carnival atmosphere where participants danced and slid down local hills. Evans Kwami Buami, the chairman of the festival’s planning committee, emphasized that the event serves as more than just entertainment; it is a vehicle for local development. This year’s festivities were specifically tied to community progress, including the commissioning of a new boys' dormitory for the Klefe Technical School. Beyond Ghana's borders, the Ivory Coast is experiencing its own cultural shift through the "biama" dance craze, primarily centered in the working-class Yopougon district of Abidjan. Originating from coupe-decale music, biama is defined by high-tempo acrobatics and rhythmic footwork that has quickly moved from the streets to international platforms via social media. Beyond its entertainment value, sociologist Stephane Babo noted the burgeoning industry's economic potential, as organizers—known as biamasseurs—create jobs and professional paths for young dancers such as the internationally recognized Dydy Yeman. These diverse cultural events—the theatrical consistency of Roverman Productions, the community-centered tradition of the Klefe Yam Festival, and the innovative energy of Abidjan's biama dancers—illustrate a dynamic West African creative economy. Whether through the preservation of local heritage or the creation of new artistic forms, these movements continue to foster community unity and provide significant economic opportunities for the region's youth and creative professionals.

Yaw Adu Domfeh (middle), Ashanti Regional Chairman, GJA, speaking at the launch of the awards in Kumasi. Flanking him are Nicolas Osei-Wusu (left), Regional Vice Chairman, and Isaac Justice Bediako, Chairman, Awards Planning Committee
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Kofi Badu and MC Portfolio Earn Prestigious Nominations in Ashanti GJA and Ghana Entertainment Awards USA

Ghanaian media and entertainment sectors are witnessing a period of significant recognition as prominent figures receive nominations for prestigious awards both locally and internationally. Leading the honors is veteran journalist and Chief of Staff at the Manhyia Palace, Kofi Badu, who is set to be celebrated at the upcoming 2025 Ashanti GJA Excellence Awards. Simultaneously, the entertainment industry is celebrating the international recognition of MC Portfolio, who has earned a nomination for the 2026 Ghana Entertainment Awards USA, highlighting the growing global footprint of Ghanaian creative talent. The 2025 Ashanti GJA Excellence Awards, themed "Celebrating Excellence, Championing Credibility: Journalism in the Age of AI," has designated a special "Kofi Badu Veteran Award" to honor the namesake’s extensive contributions to the profession. The event, which will be held in Kumasi, will feature 15 categories designed to promote high standards among media professionals in the Ashanti Region. Beyond the awards themselves, the Ghana Journalists Association (GJA) is utilizing the momentum to advance the establishment of a Regional Press Centre in Kumasi, seeking strategic partnerships with local financial institutions to bolster infrastructure for the fourth estate. In the realm of entertainment, MC Portfolio continues to solidify his reputation as a premier master of ceremonies and hype man. His nomination for the 2026 Ghana Entertainment Awards USA marks his second consecutive recognition in this category, reflecting his sustained impact on the event scene over the past year. Scheduled to take place on September 26, 2026, in New Jersey, the awards ceremony serves as a critical bridge between the Ghanaian creative industry and the diaspora, providing a platform for artists and performers to showcase their excellence on a global stage. These accolades underscore the diverse talent within Ghana’s professional landscape, from the seasoned editorial expertise of veteran journalists to the high-energy performances of modern entertainers. As preparations for these ceremonies continue, the focus remains on enhancing credibility and professional excellence. For the media in Kumasi, the integration of AI and the drive for better facilities represent a forward-looking approach, while for entertainers like MC Portfolio, international nominations offer a gateway to broader opportunities and the continued export of Ghanaian culture to the world.

Team up to take Ghana global –Tourism Minister to Creatives
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Tourism Minister Dzifa Gomashie Advocates for Creative Unity as Industry Leaders Launch Major Film and Financial Initiatives

The Ghanaian creative landscape is experiencing a significant shift toward strategic partnerships and socio-political advocacy, headlined by a call to action from the Ministry of Tourism, Culture and Creative Arts. Speaking at the launch of "The 70 Slate," Minister Dzifa Gomashie emphasized that collaboration is the cornerstone for propelling Ghana’s creative industry onto the global stage. This sentiment is mirrored across the sector, from the film industry’s new joint ventures to the music industry’s push for better financial welfare and social accountability. The Minister highlighted the importance of these strategic partnerships in creating higher-quality content that can compete internationally while preserving the nation's rich cultural heritage. In a major development for the cinematic sector, Sparrow Productions and OldFilm Productions have teamed up for "The 70 Slate," a collaborative project that includes three upcoming films: "The Return of Makunse," "Nkrumah’s Red, Gold and Green," and "I Told You So." Scheduled for release between December 2026 and December 2027, these films are expected to stimulate job creation and revitalize Ghana's cinema culture. National Film Authority (NFA) CEO Kafui Danku expressed strong support for the initiative, noting its potential to enhance Ghana's visibility in the global market. To ensure the success of such high-stakes productions, the NFA has committed to providing both funding and regulatory assistance. On the musical front, advocacy and welfare have taken center stage as artists demand more from both the state and their unions. Gospel artist Patrick Yaw Adomako, known as P.Y. Adomako, recently released "Better Ghana," a single featuring Emefa and Chajay that tackles systemic issues such as corruption and galamsey. The track serves as a poignant call for moral responsibility among both leaders and citizens. Complementing this spirit of industry growth, the Musicians Union of Ghana (MUSIGA), led by Bessa Simons, has secured a landmark agreement with MASLOC. This partnership will allow qualified musicians to access loans for personal use, group projects, and even tricycles, subject to a rigorous vetting process to ensure financial sustainability and credibility. These concurrent developments reflect a maturing industry that is increasingly focused on professionalism and structural support. As veteran artist Akosua Agyemang noted during a recent MUSIGA forum, active involvement from members is essential for the union’s advocacy to succeed. By combining artistic expression with economic empowerment and institutional collaboration, Ghana’s creative sector is positioning itself not just as a source of entertainment, but as a vital pillar of national identity and economic resilience under the current administration.

The world keeps moving, but mine stopped - Choirmaster mourns Beverly Afaglo
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Choirmaster Honors Late Wife Beverly Afaglo as Slim Buster Reflects on Marriage and Career Milestones

Ghana’s entertainment landscape has been marked this week by deep personal reflections from two prominent veterans, musician Choirmaster and highlife icon Slim Buster. While Choirmaster shared a poignant tribute to his late wife, actress Beverly Afaglo, one month after her burial, Slim Buster opened up about his personal life and career philosophies during a candid radio interview. These public disclosures offer a rare glimpse into the private struggles and professional standards of figures who have shaped the Ghanaian creative industry for over a decade. Eugene Kwadwo Boadu Baah, popularly known as Choirmaster, took to Instagram on September 8, 2026, to express the profound grief he continues to face following the passing of his wife, Beverly Afaglo. Describing his life as being at a "standstill" even as the world moves on, the musician reflected on the void left by the actress, who succumbed to cancer at age 42. Having been a couple for over 14 years, Choirmaster’s tribute highlighted the deep impact of her absence, characterizing grief as "love with nowhere to go." Beverly Afaglo was laid to rest on August 8, 2026, following a memorial that saw significant support from the showbiz community. In a separate engagement on Okay FM, veteran musician Slim Buster shared his views on personal success and relationships. Speaking on September 11, 2026, the highlife star revealed a preference for singlehood, stating that he feels he "thrives more" when not married. Slim Buster attributed this belief to his creative process, suggesting that his past marital experiences had sometimes impacted his artistic output. His perspective provides a stark contrast to traditional societal expectations, emphasizing the necessity of personal freedom to maintain his professional drive. Beyond his personal life, Slim Buster also reflected on his storied professional journey, specifically praising the work ethic of rapper Tic Tac. He recalled their collaboration on the classic hit "Masan Aba," describing Tic Tac as the standout partner of his career. Slim Buster noted that Tic Tac’s commitment was evident when the rapper recorded his verse over 50 times to meet the exacting standards of the production. This level of perfectionism, according to Slim Buster, was essential to achieving the final exceptional sound and underscores his own hands-on involvement in every aspect of music production. Together, these stories highlight the multifaceted lives of Ghana’s entertainers, balancing the heavy burden of personal loss with the rigorous demands of professional excellence. While Choirmaster navigates a painful transition and pledges to keep his wife's memory alive, Slim Buster continues to define success on his own terms. Both veterans remind the public that behind the fame are individuals grappling with the complexities of love, legacy, and the relentless pursuit of perfection in their craft.