Ghana Entertainment News

The latest Ghana entertainment and showbiz news: music, movies, celebrities, and culture. Curated from Ghana's leading newsrooms and refreshed through the day, newest first.

Actor Yaw Adu 'Sumsum Ahoufe' Claims Industry Peers Acquired Wealth Through 'Money Rituals'
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Actor Yaw Adu 'Sumsum Ahoufe' Claims Industry Peers Acquired Wealth Through 'Money Rituals'

Popular Ghanaian actor Yaw Adu, widely known as Sumsum Ahoufe, has sparked controversy in the entertainment industry after alleging that some of his peers and other individuals have resorted to occult practices, commonly referred to as "blood money" or "Sika Duro," to acquire their wealth. Speaking in a candid interview with KayB Media, the Kumawood star claimed to have intimate knowledge of the disturbing rituals some people undergo in their pursuit of financial success. During the interview, Sumsum Ahoufe outlined several unconventional and often repulsive methods allegedly used by those seeking spiritual enrichment. According to the actor, these rituals often involve disturbing requirements, such as performing spiritual baths, engaging in specific sexual acts for occult purposes, and even the use of human faeces. While he asserted that such practices are prevalent within certain circles in the entertainment industry and beyond, he maintained a level of discretion by refusing to name specific colleagues. He did, however, suggest that several towns across Ghana have become notorious hubs for these spiritual consultations, though he refrained from identifying them to avoid further legal or personal repercussions. The actor's revelations tap into a long-standing and often heated discourse in Ghana regarding the sudden, unexplained wealth of celebrities and young entrepreneurs. This phenomenon frequently leads to public speculation about "Sika Duro" or "blood money," terms used to describe wealth believed to be acquired through dark spiritual means. While Sumsum's claims lack specific evidence or naming of individuals, they highlight the persistent cultural belief in the intersection of the supernatural and material success in contemporary Ghanaian society. These comments are expected to trigger further debate within the creative arts sector about the immense pressure on public figures to project an image of affluence and the ethical boundaries some may cross to achieve it.

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Okyeame Kwame Challenges Hiplife Origin Narrative, Credits Two Key Pioneers

Ghanaian music icon Okyeame Kwame has weighed in on the long-standing debate regarding the origins of Hiplife, suggesting that the credit for the genre’s inception should be shared between two specific individuals. In a revealing interview on Adom TV aired in September 2026, the veteran rapper—famously known as the "Rap Doctor"—explained his preference for recognizing a pair of pivotal figures rather than attributing the entire movement to a single pioneer. His comments provide a fresh lens through which to view the evolution of one of Ghana's most influential cultural exports. During the televised discussion, Okyeame Kwame emphasized that the birth and subsequent popularization of Hiplife were not the work of an isolated individual but were instead driven by the distinct contributions of two key players. He argued that these figures played complementary roles, providing both the creative impetus and the necessary platform for the sound to reach a national audience. This perspective challenges the conventional narrative that has often sought to crown a singular "father" of the genre, suggesting instead that the fusion of Highlife and Hip-hop was a collaborative milestone. The rapper's intervention is particularly significant given his own historical role as a foundational member of the Hiplife duo Akyeame. By calling for a more inclusive recognition of the genre's architects, Okyeame Kwame is advocating for greater historical nuance within the Ghanaian entertainment industry. His stance encourages fans and historians alike to look beyond simplified history and investigate the multifaceted efforts that allowed Hiplife to dominate the airwaves and pave the way for the modern success of Ghana's music scene. As the conversation surrounding Ghana's musical heritage continues to grow, such insights from industry veterans are crucial for documenting the nation's artistic journey accurately. While the interview has sparked renewed interest in the specific identities and roles of these pioneers, it also underscores the importance of acknowledging the collective effort behind major cultural shifts. For the "Rap Doctor," ensuring that the true contributors receive their due credit is an essential step in honoring the legacy of the music that has come to define a generation of Ghanaians.

From Veteran Legacies to Gen Z 'Besties': Redefining Love and Courtship in West African Entertainment
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From Veteran Legacies to Gen Z 'Besties': Redefining Love and Courtship in West African Entertainment

The landscape of romance and marriage within the West African entertainment industry is undergoing a significant transformation, as both legendary icons and a new generation of creators offer differing but complementary blueprints for lasting relationships. At the heart of this evolution is a shift away from the often-volatile nature of celebrity pairings toward foundations built on deep-seated friendship and shared values. While veteran figures provide a roadmap for endurance, younger couples are utilizing digital platforms to champion transparency and emotional intimacy as the modern standard for courtship. The late veteran actor Olu Jacobs and his wife, Joke Silva, stand as the gold standard for enduring partnerships in the industry. Their decades-long marriage, which successfully navigated the pressures of high-profile careers and family life, continues to serve as a vital lesson for contemporary couples. In an era where celebrity break-ups are frequently headlined, the Jacobs-Silva union is highlighted as a testament to the power of a unified partnership. Their legacy suggests that a strong connection centered around mutual support and personal growth is the key to weathering the challenges of a life in the public eye. Mirroring this focus on foundational strength, a new generation is redefining courtship through the 'bestie' model. Gen Z partners Kwabena Boafo Larbi, known as Khobby Melo, and Selorm Nana Ama Obiri, known as Happy Celly, have become prominent voices for this movement. After meeting at an event in 2024, the duo overcame initial social media hurdles through persistence and a commitment to developing a platonic bond before transitioning into a romantic relationship. Their approach prioritizes 'friendship first,' grounding their connection in prayer, mutual openness, and emotional transparency to inspire their peers toward healthier relationship habits. Ultimately, these two distinct eras of celebrity relationships converge on a singular truth: the importance of companionship over superficial attraction. Whether through the long-term resilience demonstrated by the Jacobs family or the value-based transparency of Gen Z influencers like Khobby Melo and Happy Celly, the narrative around modern love is being rewritten. These stories suggest that the future of successful relationships in the spotlight will depend on the ability of partners to cultivate genuine friendship and spiritual alignment, providing a more stable alternative to the traditional 'celebrity marriage' trope.

This is why DJ Cuppy wants to delete her social media account
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DJ Cuppy Contemplates Social Media Exit for Quiet Countryside Life

Nigerian disc jockey and producer Florence Otedola, popularly known as DJ Cuppy, has sparked significant conversation online after hinting at a potential departure from the digital world. The high-profile entertainer expressed a desire to step away from the limelight of social media in favor of a more serene, rural lifestyle. This revelation comes as a surprise to many followers, given her status as one of Africa's most prominent digital personalities. In a post shared on her X (formerly Twitter) handle, DJ Cuppy outlined a vision for a drastically different future, mentioning a plan to move to the countryside. Specifically, the artist noted her intention to purchase three goats and embrace a quieter existence, far removed from the relentless pace and scrutiny often associated with online platforms. Her comments suggest a growing weariness with the fast-paced nature of digital life, a sentiment increasingly echoed by celebrities globally who face constant public attention. While the announcement has garnered substantial attention from fans and the media alike, it remains unclear if or when these changes will take effect. DJ Cuppy has yet to confirm a final timeline for deleting her accounts or relocating. However, her public musings highlight the mental health challenges and burnout often associated with maintaining a massive social media presence. Whether this is a fleeting thought or a genuine transition, the possibility of her exit marks a potential shift for one of the entertainment industry’s most active digital influencers.

King Paluta, Article Wan, and Larry Prince Champion Resilience as Ghana's Music Scene Evolves
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King Paluta, Article Wan, and Larry Prince Champion Resilience as Ghana's Music Scene Evolves

The Ghanaian entertainment landscape is currently defined by a strong narrative of perseverance and cultural evolution, led by both established stars and emerging voices. King Paluta has recently intensified his impact on the industry with the release of the official music video for his motivational single, 'Away (Prayer).' The project, which emphasizes faith and hope amid life's challenges, serves as a visual testament to the artist's commitment to uplifting his audience through personal storytelling. This theme of resilience is echoed by Maamobi-born artiste Larry Prince, formerly known as Larry Lizzard. Drawing inspiration from his upbringing in one of Accra's most vibrant communities, Prince is preparing to release a new EP featuring the track 'Pamela,' further solidifying his transition into a storyteller of street experiences and ambition. While new projects emerge, mid-career and veteran artists are actively defending their legacies and personal milestones. Musician Article Wan recently addressed public speculation regarding his career during an interview on the 3FM Blocparty Show, firmly rejecting claims that his influence is waning. Insisting that his music career is far from dead, he emphasized that his talent is a divine gift and that he remains focused on creating work that reflects his inspiration rather than public opinion. Similarly, veteran musician Skrewfaze shared a rare personal moment, expressing his desire for longevity and health as he proudly showcased his son, who is currently serving in the United States military. Beyond individual musical releases, the broader West African youth culture is being reshaped by influential figures like Michael Nichols. Known as the 'Gen Z Godfather,' Nichols has been pivotal in bridging the gap between Accra and Lagos through his 'Gen Z Takeover' platform. By fostering connections through music, fashion, and shared experiences, Nichols is helping to define the aesthetic and social direction of the next generation. Collectively, these developments—from King Paluta’s prayerful melodies to the strategic cultural shifts led by Nichols—highlight a Ghanaian entertainment industry that is not only sustaining its veterans but also aggressively carving out space for modern, youth-led movements.

Kwame Dzokoto breaks silence on sick rumours
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Ghanaian Public Figures Address Health Rumors, Romantic Claims, and Past Social Controversies

Recent developments in Ghana's entertainment and public sphere have seen several prominent figures addressing personal controversies and long-standing rumors. From veteran actor Kwame Dzokoto refuting health-related speculation to Reverend Owusu Bempah making bold claims about his relationship with media personality Afia Schwarzenegger, these stories highlight the complex relationship between public figures and the narratives that surround them. Additionally, retired military officer Prince Kofi Amoabeng has reflected on past social interactions that led to friction with high-ranking officials, illustrating the lasting impact of public conduct and the scrutiny placed on prominent individuals during state functions. Actor and media personality Kwame Dzokoto has officially addressed rumors regarding his health, firmly stating that he is not battling any illness. The speculation, which gained traction on social media after observers commented on his appearance at a recent public event, had caused significant concern among his fans. Dzokoto used the opportunity to urge bloggers and content creators to exercise greater caution and ethical responsibility. He emphasized that unverified reporting on personal matters can have a detrimental effect on the families of public figures, calling for more professionalism in the digital media space to prevent the spread of harmful misinformation. In a separate development that has sparked significant conversation, Reverend Owusu Bempah, the founder of Glorious Word Power Ministries International, has claimed that Afia Schwarzenegger harbors romantic feelings for him. During an interview on Aluta FM, the clergyman asserted that despite the media personality's history of public criticism against him, she frequently keeps him informed of her travel plans and visits his residence. These claims add a new layer of complexity to their well-documented and often contentious relationship, suggesting a disconnect between their public interactions and private associations that continues to fascinate the public. Meanwhile, the founder of the defunct UT Bank, Captain Prince Kofi Amoabeng, has shared a retrospective account of how his passion for dancing caused unintended trouble. Narrating an incident from 2023 during an anniversary celebration for the Okyenhene of Akyem Abuakwa, Amoabeng explained that his decision to dance in front of former President Nana Akufo-Addo and the Okyenhene led to complications. This reflection serves as a reminder of the scrutiny placed on the behavior of prominent citizens during formal traditional and state functions, where even lighthearted moments can be interpreted with political or social gravity. These varied narratives collectively underscore the challenges faced by public figures in managing their images within Ghana's fast-paced media environment. Whether dealing with health misinformation, romantic assertions, or the fallout from social engagements, the experiences of Dzokoto, Bempah, and Amoabeng highlight the persistent need for factual reporting and the enduring power of public perception. As social media continues to blur the lines between private life and public record, these figures remain at the center of a larger cultural dialogue regarding accountability, reputation management, and the search for truth.

Highlife Legend Pat Thomas to Mark 80th Birthday with Grand Celebration at +233 Jazz Bar
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Highlife Legend Pat Thomas to Mark 80th Birthday with Grand Celebration at +233 Jazz Bar

Accra's premier live music venue, +233 Jazz Bar and Grill, is set to host a landmark celebration on September 26, 2026, in honor of the legendary highlife musician Pat Thomas. The concert, which marks the "Golden Voice of Africa's" 80th birthday, promises to be a historic gathering for highlife enthusiasts and music lovers across the country. As one of the most influential figures in Ghanaian music history, Thomas continues to represent the pinnacle of vocal excellence and cultural heritage within the highlife genre. The celebration will feature an impressive lineup of talent, bridging generations of Ghanaian music. Joining Pat Thomas on stage will be fellow highlife icon Gyedu Blay Ambolley and contemporary powerhouse Kwabena Kwabena, ensuring a diverse musical experience that honors both traditional roots and modern interpretations. The performances will be anchored by the renowned Bessa Band, led by the veteran Bessa Simons, providing the rich, authentic instrumentation necessary to bring Thomas’s timeless discography to life for the evening's patrons. Beyond the immediate festivities, the 80th birthday concert serves as a vital effort to preserve and promote the highlife genre, which remains a cornerstone of Ghana’s cultural identity. Throughout his decades-long career, Pat Thomas has been instrumental in bringing Ghanaian rhythms to the global stage, earning international acclaim for his distinctive voice and sophisticated songwriting. This event not only celebrates a personal milestone for the artist but also reinforces the importance of honoring living legends while they are still active, ensuring that the legacy of highlife is passed on to future generations of performers and fans alike.

Black Sherif extends global chart run with ‘Jolie’
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Ghanaian Creative Talents Command Global Attention: Black Sherif, Lisa Quama, and Moliy Reach New International Milestones

Ghana’s creative industry continues to assert its dominance on the global stage, with a new wave of achievements spanning the United Kingdom, the United States, and the Caribbean. Highlighting this international surge, music sensation Black Sherif has once again secured a spot on the international charts, while dance entrepreneur Lisa Quama made history in New York’s fashion and climate circles. Simultaneously, singer Moliy is celebrating major recognition in the Caribbean, underscoring the diverse influence of Ghanaian artistry across different continents and creative disciplines. In the United Kingdom, Black Sherif has extended his impressive chart run with his latest single, "Jolie," which debuted at No. 20 on the UK Official Afrobeats Chart for the week of September 13–19, 2026. Featured on his six-track EP, *Sun Sherif*, the entry follows the massive success of previous hits like "Kwaku The Traveller," which reached the No. 2 spot. This latest achievement further solidifies the 2023 BET Hip Hop Award winner's reputation as a cornerstone of the global Afrobeats scene, demonstrating his consistent ability to resonate with international audiences long after his initial breakout. Across the Atlantic, Ghanaian dancer and creative entrepreneur Lisa Quama achieved a historic milestone by becoming the first Ghanaian creator to actively participate in both New York Fashion Week and Climate Week. Quama transitioned seamlessly between worlds, attending the Opulence Fashion Show as a VIP guest and walking the runway at the "Made With Intention" show. Beyond fashion, she utilized her platform during Climate Week to present a unique dance installation that explored themes of sustainability through movement. Her participation highlights the evolving role of African creators as significant contributors to global cultural and environmental dialogues rather than mere observers. In the Caribbean, singer Moliy has been honored with a 'Song of the Year' award, marking another win for the nation’s music exports. However, the achievement was briefly overshadowed by online friction after industry heavyweights Sarkodie and Stonebwoy offered their congratulations. The messages sparked heated debates among rival fanbases on social media, prompting Moliy to publicly urge netizens to avoid unnecessary drama and focus on the celebration of the music itself. This call for unity reflects a growing desire among Ghanaian artists to maintain a supportive professional environment even as competition intensifies. These collective successes represent a significant era for Ghanaian creative entrepreneurship, where fashion, music, and digital culture are converging to create a powerful national brand. As artists like Black Sherif and Moliy continue to collect international accolades and creators like Lisa Quama break barriers in elite global spaces, the visibility of Ghanaian talent is reaching unprecedented heights. These milestones not only provide a blueprint for upcoming artists but also signal to the global market that Ghana remains a primary hub for world-class creative innovation.

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Mzbel Denounces Spiritual Curses Following Multiple Failed Attempts to Recover GH 1.2 Million from Alleged Scammer

Belinda Nana Ekua Amoah, popularly known as the musician Mzbel, has candidly shared her disillusionment with traditional spiritual interventions, specifically the act of cursing. Speaking during the September 19, 2026, edition of UTV’s United Showbiz, the veteran Ghanaian artist revealed that she has abandoned the practice after finding it to be an exercise in futility. Mzbel explained that her previous attempts to seek spiritual retribution against those who had wronged her resulted only in a significant drain on her personal resources without yielding the intended results. The singer’s spiritual journey was sparked by a major financial betrayal involving Janice Inez Mensah, a UK-based Ghanaian. Mzbel alleged that Mensah defrauded her of a staggering GH 1.2 million, a loss that prompted her to seek justice beyond the conventional legal system. In her quest for vengeance, Mzbel disclosed that she traveled extensively, making multiple trips to the Northern Region of Ghana and crossing the border into Benin. These locations are traditionally associated with potent spiritual shrines, yet Mzbel noted that despite her persistence and the numerous times she attempted to invoke curses, her efforts failed to produce any impact on the target. Through these experiences, Mzbel has come to view the practice of invoking spirits for harm as an ineffective use of one's life and resources. She described the process as a total "waste of time, money, and energy," suggesting that the effort spent on such spiritual endeavors is better directed elsewhere. Her testimony on national television serves as a rare admission from a high-profile figure regarding the limitations of traditional spiritual warfare, which remains a deeply rooted belief in many segments of Ghanaian society. By sharing her story, Mzbel highlights the complex intersection of personal grievance and traditional belief systems within the modern entertainment industry. Her decision to speak out about the failure of these rituals marks a notable departure from her previous public stances and provides a provocative look at how public figures navigate financial loss and the pursuit of justice. As she moves forward, Mzbel’s reflections suggest a pivot toward more practical approaches to conflict resolution, leaving behind the rituals she once believed would provide closure.

Shatta Wale Rebukes Jomoro MP Dorcas Affo-Toffey for Stage Interruption at 2026 NkrumahFest
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Shatta Wale Rebukes Jomoro MP Dorcas Affo-Toffey for Stage Interruption at 2026 NkrumahFest

The 2026 NkrumahFest was marked by a tense confrontation between dancehall sensation Shatta Wale and the Member of Parliament for Jomoro, Dorcas Affo-Toffey. The incident unfolded during Shatta Wale’s live set when the MP reportedly attempted to approach and speak with the artist on stage. Shatta Wale, who is known for his dedication to his craft, did not take the interruption lightly, leading to a heated exchange that was captured on video and quickly circulated across social media platforms. During the encounter, Shatta Wale was seen fuming at the legislator, making it clear that his performance space was not the place for such interactions. He was heard asserting his professional boundaries, telling the MP, "I am working in my office." This statement has since become a focal point of discussion, with many fans and industry insiders debating whether the stage should be treated with the same level of professional respect as a traditional office environment. The incident has prompted a reaction from fellow high-profile musician Okyeame Kwame, who shared his perspective during an interview with Adom FM. The "Rap Doctor" expressed his firm disapproval of the stage interruption, stating that "it isn’t right" for any artist to be disturbed while performing. Okyeame Kwame’s comments underscore a broader sentiment within the Ghanaian music industry regarding the need for better protocols and respect for performers' creative and professional spaces during major events. This clash at NkrumahFest highlights a recurring issue in the entertainment industry where the boundaries between public service and professional entertainment become blurred. While the exact reason for the MP’s attempt to speak with Shatta Wale remains a subject of speculation, the backlash suggests a growing demand for event organizers to ensure that performers are allowed to complete their sets without interference. As the conversation continues, the event serves as a landmark moment in defining stage etiquette for both public officials and artists in Ghana.

Black Star International Film Festival 2026 to Showcase Global African Cinema in Kumasi
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Black Star International Film Festival 2026 to Showcase Global African Cinema in Kumasi

The Black Star International Film Festival (BSIFF) is set to host its 11th edition in the vibrant city of Kumasi from September 24 to 27, 2026. Under the compelling theme "Film & Global Culture: The New Wave of African Cinema," the four-day event will transform the Garden City into a central hub for cinematic excellence and cultural exchange. This year's festival aims to bridge the gap between creators and consumers by focusing on audience development and the promotion of local-language cinema, ensuring that indigenous stories reach the hearts of both domestic and international viewers. The 2026 edition boasts an impressive lineup, featuring films from 12 different countries that highlight the diversity and evolving narratives of the continent. Beyond the silver screen, the festival will serve as a critical platform for industry growth, hosting a series of masterclasses and expert-led sessions. These discussions are slated to cover pivotal modern topics, including the protection of intellectual property and the transformative role of Artificial Intelligence (AI) in the filmmaking process, providing local creators with the tools necessary to compete in a rapidly changing global market. A major highlight of the event will be the official launch of "The African Filmmaker’s Roadmap," a strategic resource designed to provide industry insights and practical guidance for filmmakers. This initiative is tailored to help artists effectively connect their work with broader audiences and navigate the commercial complexities of the film trade. By integrating these educational components with high-profile screenings, BSIFF continues to solidify its role as a cornerstone of the African film industry's professional development. By bringing the festival to Kumasi, organizers are emphasizing the importance of community building and the decentralization of Ghana's cultural landscape. The event is expected to attract a wide array of stakeholders, from seasoned industry professionals to aspiring students and cinema enthusiasts. As African cinema continues to carve out a significant space in the global cultural dialogue, the 2026 BSIFF stands as a vital milestone in celebrating the continent's creative resilience and its future on the world stage.

Restored Film 'His Majesty’s Sergeant' Screens in London to Celebrate 103 Years of Ghanaian Cinema
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Restored Film 'His Majesty’s Sergeant' Screens in London to Celebrate 103 Years of Ghanaian Cinema

On September 19, 2023, the Ghanaian film community and international dignitaries gathered in London for a landmark screening of the restored cinematic masterpiece, "His Majesty’s Sergeant." Organized by Flamboyant Damsel Films and Grace Abounds LTD, the event served as a dual commemoration of the birthday of Ghana’s first President, Dr. Kwame Nkrumah, and a celebration of a remarkable 103 years of Ghanaian cinema. The screening, which attracted filmmakers, diplomats, and enthusiasts, highlighted the enduring power of Ghanaian storytelling and its historical significance on the global stage. Originally released in 1984, "His Majesty’s Sergeant" provides a poignant historical lens into the experiences of Gold Coast soldiers during World War II. The film underwent a meticulous restoration process led by Ato Yanney Jnr to preserve this vital piece of national heritage for contemporary audiences. A significant highlight of the evening was the presence of Rev. Dr. Chris Hesse, the film’s original cinematographer. Dr. Hesse shared invaluable insights into the production’s history and the challenges of early filmmaking, offering the audience a bridge between the pioneering era of Ghanaian cinema and its modern revival. Representing the Ghanaian government, H.E. Acquinas Tawiah Quansah, the Deputy High Commissioner to the UK, addressed the assembly to emphasize the importance of the creative arts. He encouraged Ghanaian filmmakers to actively leverage available government support and national funds to bolster future productions and tell authentic Ghanaian stories. The event also saw participation from representatives of the British Film Institute and the National Film Authority, signaling a collaborative spirit between international film bodies and Ghanaian creators. Beyond the cinematic showcase, the evening featured a vibrant live performance by Afrobeats artist FADU, blending traditional heritage with modern cultural expression. Supported by organizations such as Rainbow Radio International, the event underscored Dr. Kwame Nkrumah’s foundational vision of using film as a tool for national identity and Pan-African unity. The successful international screening of this restored classic sets a precedent for the continued preservation and promotion of Ghana’s rich filmic legacy for future generations.