Ghana Entertainment News

The latest Ghana entertainment and showbiz news: music, movies, celebrities, and culture. Curated from Ghana's leading newsrooms and refreshed through the day, newest first.

Gospel Artist Essi Donkor Donates Educational Materials and Pledges GH"2,000 Prize to Ekumfi Students
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Gospel Artist Essi Donkor Donates Educational Materials and Pledges GH"2,000 Prize to Ekumfi Students

Ghanaian gospel musician Essi Donkor has launched a significant educational support initiative in her hometown, Ekumfi Akwansa Kokodo, aimed at boosting academic performance and supporting local youth. In a move to give back to the community that raised her, the artist donated a substantial quantity of educational materials to students, highlighting the crucial role public figures can play in fostering community development and educational excellence at the grassroots level. The donation exercise saw the distribution of essential learning tools, including exercise books, school bags, and pens. These items were provided to help alleviate the financial burden on parents and ensure that students are well-equipped for their academic pursuits. During the presentation, Donkor addressed the students directly, emphasizing that education is the foundation for a successful future and urging them to remain disciplined and focused on their studies despite any challenges they may face. To further inspire academic competitiveness and excellence, Donkor announced a special incentive for the community"s candidates preparing for the Basic Education Certificate Examination (BECE). She has pledged a cash prize of GH"2,000 to be awarded to the best-performing student in the upcoming national examinations. This reward is intended to serve as a tangible motivation for the students to strive for the highest marks and set a high standard for future cohorts in the district. By blending philanthropy with her public profile, Essi Donkor"s initiative underscores a growing trend of Ghanaian celebrities using their platforms to address socio-economic gaps in their native districts. Beyond the immediate provision of stationery and the promise of a cash reward, the gesture reinforces the vital link between successful professionals and their roots, providing the youth of Ekumfi Akwansa Kokodo with both the physical tools and the moral inspiration necessary to pursue their educational aspirations.

Controversy not my thing - Abena Kyei Boakye
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Ghanaian Actress Abena Kyei Boakye Champions Clean Public Image Following Glow Washing Powder Deal

Ghanaian actress and media personality Abena Kyei Boakye has reinforced her commitment to maintaining a scandal-free public profile, asserting that she prioritizes a respectable legacy over the fleeting attention often sought through controversy. This declaration coincides with her official unveiling as the brand ambassador for Glow Washing Powder, a role she believes aligns with her personal values and professional conduct. By consciously steering clear of industry drama, Boakye aims to set a positive standard for the youth while securing the long-term trust of corporate entities in Ghana. During an interview regarding her new partnership, Boakye emphasized that her reputation as a reliable and disciplined professional has been instrumental in attracting high-profile brand endorsements, including her ongoing work with brands like Ready White Oats. She noted that corporate organizations are increasingly looking for ambassadors who represent stability and integrity, rather than those who trend for social media notoriety. Her approach to the entertainment business is multifaceted, drawing on her extensive background in broadcasting, acting, and entrepreneurship to build a brand that is both versatile and trustworthy. Beyond her commercial success, Boakye’s dedication to personal development is reflected in her diverse academic achievements and philanthropic efforts. She views her career as a platform for positive influence, advocating for a shift in the entertainment landscape where talent and character carry more weight than manufactured controversy. By focusing on legacy-building and academic growth, Boakye intends to provide a blueprint for a sustainable career that transcends the screen, ensuring her influence remains relevant and respected across multiple sectors of the Ghanaian media landscape.

Wise men die for their women - Odumodublvck
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Nigerian Rapper Odumodublvck Asserts That Wise Men Must Be Willing to Sacrifice Their Lives for Their Wives

Nigerian rapper Odumodublvck has ignited a social media conversation after asserting that men should be willing to make the ultimate sacrifice for their partners. Speaking during a recent appearance on the In Motion Podcast, the artist characterized men who are unwilling to endure significant hardship or even death for their wives as "fools." He grounded his perspective in both personal conviction and a specific interpretation of marital duty, suggesting that the depth of a man's love is measured by his willingness to protect and provide at any cost. The rapper, known for his outspoken nature, cited his Christian faith as the primary foundation for his stance. He specifically referenced the biblical mandate for men to love their wives as Jesus Christ loved the Church—a love historically defined by selfless sacrifice and martyrdom. Odumodublvck emphasized that this is not merely a theoretical position; he stated unequivocally that he would be willing to sacrifice his own life for his younger wife, viewing such an act as a sign of spiritual and emotional maturity rather than weakness. Beyond his views on sacrifice, the rapper used the platform to address long-standing public perceptions of his character. He expressed frustration over being unfairly labeled a misogynist by certain critics, arguing that his willingness to prioritize a woman's life over his own fundamentally contradicts such accusations. By highlighting his supportive views toward women and his commitment to his marital vows, he sought to challenge the narrative surrounding his public persona and demonstrate a more protective, traditional side of his personality. These remarks contribute to an ongoing dialogue within the West African entertainment landscape regarding traditional gender roles and the evolving expectations placed on men in modern relationships. While his comments have been received as chivalrous by many of his followers, they have also sparked debate about the intensity of these expectations in a contemporary social context. As Odumodublvck continues to rise in the music industry, his blend of traditional religious values and bold public commentary remains a focal point of public interest and cultural discussion.

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Comedian Jacinta Thrills Audience with Stellar 'Ghagerian' 5-Star Experience Performance

Ghanaian-Nigerian comedian Jacinta Ocansey, popularly known as Jacinta, has solidified her status as a leading figure in the West African comedy scene with a triumphant showing at her headline event, the 'Ghagerian 5-Star Experience.' Hosted at the De Icon Event Centre, the show lived up to its star-studded billing, drawing a diverse crowd eager to witness the unique blend of Ghanaian and Nigerian humor that has become the comedian's trademark. Known as the "Queen of Ghagerian Comedy," her ability to bridge two cultures through laughter was the centerpiece of the evening. Known for her high-octane energy and relatable wit, Jacinta delivered a set that resonated deeply with the audience. Her performance centered on relatable daily life experiences, masterfully navigating the cultural nuances of both Ghana and Nigeria—a duality that inspired the event's name. Attendees were reportedly left in stitches as she met the high expectations set by her previous appearances on major international stages, proving her versatility as a stand-up performer who can command a large, sophisticated audience. The success of the 'Ghagerian 5-Star Experience' marks a significant milestone in Jacinta’s career and for female comedians in the region. By successfully headlining a major solo show at a venue like De Icon, she continues to break barriers in a male-dominated industry. The event not only showcased her growth as a performer but also highlighted the growing appetite for stand-up comedy as a primary form of entertainment in Accra’s nightlife circuit, suggesting a shift in the local entertainment landscape toward more diverse comedy offerings. As the dust settles on this successful production, Jacinta has proven her ability to maintain her relevance in a competitive market while expanding her brand. The positive reception of the show suggests a promising trajectory for the comedian, with fans and critics alike looking forward to her next move. Her success serves as a testament to the power of cultural exchange through art, promising further cross-border collaborations and performances that unite the West African creative community in the near future.

Glastonbury 2027 Tickets Sell Out in 42 Minutes Ahead of Return to Worthy Farm
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Glastonbury 2027 Tickets Sell Out in 42 Minutes Ahead of Return to Worthy Farm

Tickets for the 2027 Glastonbury Festival have officially sold out in a remarkably brief 42-minute window, highlighting the immense global demand for the iconic music and arts gathering. Thousands of hopeful attendees joined the online queue precisely at 09:00 BST, vying for the chance to attend the event at its traditional home, Worthy Farm in Somerset. The festival is scheduled to run from 23 to 27 June 2027, marking a highly anticipated return for the world-renowned celebration. Organisers reported a massive turnout for the sale, as fans from across the world attempted to secure their spots through the digital booking system. The speed of the sell-out underscores the festival's status as a cornerstone of the international entertainment calendar, with all available tickets being claimed by 09:42 BST. This surge in interest comes as the festival prepares for its 2027 edition, which will feature a wide array of performers and cultural activities across the sprawling Somerset site. The 2027 event holds particular significance as it follows a scheduled "fallow year" in 2026. These periodic breaks are essential for the environmental sustainability of Worthy Farm, allowing the land, local wildlife, and nearby village infrastructure a chance to recover from the impact of hosting hundreds of thousands of visitors. The anticipation built during this hiatus clearly contributed to the rapid ticket depletion, as fans look forward to the festival’s comeback after the one-year break. For those who missed out, the focus now turns to potential future resale opportunities as the countdown to June 2027 begins.

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D-Black Labels La Pleasure Beach Resort Demolition "Unfortunate" as Livelihoods Hang in the Balance

Ghanaian musician and entrepreneur Desmond Blackmore, popularly known as D-Black, has publicly addressed the recent demolition at the La Pleasure Beach Resort in Accra, describing the event as a significant setback for the local entertainment industry. Speaking in an interview with GhanaWeb, the Black Avenue Muzik CEO expressed deep concern over the sudden destruction of structures at one of Ghana’s most iconic coastal destinations. The demolition, which has sparked widespread debate across the capital, targets various beachfront establishments that have long served as a hub for both domestic and international tourism. D-Black’s reaction centers on the socio-economic toll the demolition takes on business owners and the workforce. As a prominent figure in Ghana’s nightlife and hospitality sectors, D-Black noted that the removal of these structures directly impacts the livelihoods of numerous beach club operators. These entrepreneurs have invested substantial capital into developing the shoreline, and their sudden displacement leaves the future of their businesses in jeopardy. For D-Black, the move is "unfortunate" not just for the owners, but for the vibrant culture that the La Pleasure Beach represents. Beyond the owners, the musician highlighted the plight of the hundreds of workers who depend on these beachside businesses to support their families. From security personnel and cleaners to bartenders and waitstaff, the demolition threatens a chain of employment that is vital to the local economy. D-Black’s comments underscore a broader anxiety within the creative and hospitality industries regarding the security of business investments in public spaces. The loss of these jobs at a time when economic stability is a priority for many Ghanaians adds a layer of urgency to his plea for a more considerate approach to urban planning. While the specific reasons for the demolition have yet to be fully detailed by the authorities involved, the event has raised questions about the future of Accra’s beachfront development. As the city continues to evolve under the current administration of President John Mahama, the balance between regulatory compliance and the preservation of the entertainment sector remains a delicate issue. For D-Black and other stakeholders, the hope is that future actions will prioritize dialogue and the protection of livelihoods to ensure that Accra remains a thriving destination for leisure and commerce.

BSIFF launches youth film festival
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BSIFF Launches Youth Film Initiative as National Theatre Calls for Corporate Investment in Ghana's Arts

Ghana’s creative landscape is witnessing a strategic push toward modernization and sustainability, highlighted by the Black Star International Film Festival (BSIFF) launching a dedicated youth wing and the National Theatre calling for a shift in how the arts are funded. These developments, occurring during the 11th edition of BSIFF and the 2026 Ghana Theatre Festival, signal a concerted effort to nurture young talent and secure long-term financial viability for the sector by professionalizing the creative economy. At the 11th edition of the BSIFF in Kumasi on September 27, 2026, organizers officially introduced the BSIFF Youth Film Festival. Designed specifically for filmmakers aged 25 and under, the initiative seeks to integrate young creators into the professional sphere, involving them in everything from production roles to jury decisions. With the inaugural youth festival slated for 2027, BSIFF is encouraging the next generation to leverage accessible technology, such as mobile devices, to tell African stories and build a robust domestic audience for regional cinema from an early age. Complementing this focus on talent development, the Executive Director of the National Theatre of Ghana, Henry Herbert Malm, has issued a clarion call to corporate institutions to view the performing arts as a lucrative investment opportunity rather than a charitable sponsorship. Speaking at an open-air concert by the National Symphony Orchestra to mark International Music Day, Mr. Malm argued that the creative industry is uniquely positioned to drive job creation and cultural preservation while offering sustainable commercial returns for partners willing to engage with the theatre professionally. The push for increased private sector involvement comes amidst the 2026 Ghana Theatre Festival, which continues to spotlight national talent through events such as industry awards for veterans and high-profile stage productions. Among the upcoming highlights is the play *The Darkest Hour*, a production exploring the themes of African liberation. By bridging the gap between youthful innovation in film and corporate-backed excellence in theatre, Ghana's cultural leaders aim to unlock the full economic and social potential of the nation's creative identity.

Patience Ozokwo Expresses Heartbreak After Missing Funeral of Nollywood Legend Olu Jacobs
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Patience Ozokwo Expresses Heartbreak After Missing Funeral of Nollywood Legend Olu Jacobs

Veteran Nollywood actress Patience Ozokwo has expressed profound heartbreak following her absence from the funeral service of the legendary actor Olu Jacobs. The iconic actor, whose career spanned decades and left an indelible mark on African cinema, was laid to rest in Lagos on September 3, 2026. The ceremony drew a significant gathering of the Nollywood community and served as a final tribute to a man widely regarded as a pillar of the Nigerian film industry. The burial service took place at the Freedom Centre in Lekki, Lagos, attended by family, friends, and notable figures from the Nigerian film industry. Colleagues and dignitaries gathered to honor Jacobs’ legacy, reflecting on his immense contributions to the arts and his role in elevating Nollywood to a global stage. The atmosphere was one of solemnity and respect as the industry bid farewell to one of its most revered veterans. In her public reflection, Ozokwo, a contemporary and frequent collaborator of Jacobs, shared her deep sorrow over missing the final rites. Known for her powerful performances alongside the late actor, her expression of grief underscores the close bonds shared among the pioneer generation of Nollywood stars. While she was unable to attend the Lekki service in person, her tribute joined a chorus of voices from across the continent mourning the loss of a cinematic giant. The passing and subsequent burial of Olu Jacobs represent a significant transition for the African entertainment landscape. As the industry reflects on his life, his legacy is expected to continue through the many actors he mentored and the classic films that remain a staple of African households. The outpouring of emotion from peers like Ozokwo highlights the profound impact Jacobs had on his colleagues and the enduring nature of his contribution to Nigerian culture.

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Kanayo O Kanayo Urges Ghanaian Actors to Focus on Personal Negotiations Amid Pay Disparity Concerns

Veteran Nigerian actor Kanayo O Kanayo, popularly known as KOK, has waded into the ongoing debate surrounding pay disparities within the West African film industry. Speaking to the Ghanaian media during a recent visit to a local film set, the seasoned performer expressed concerns regarding what he describes as a growing sense of "entitlement" among some Ghanaian actors. The comments come at a time when collaborations between Nigerian and Ghanaian filmmakers are frequent, often leading to internal comparisons regarding remuneration packages between domestic talent and visiting Nigerian stars. According to Kanayo, the friction often arises when local actors compare their earnings to those of Nigerian stars brought in for specific productions. He emphasized that the film industry operates on professional negotiation rather than standardized pay scales based on nationality or proximity. During the interview, KOK suggested that instead of focusing on the fees paid to foreign talent, local actors should prioritize refining their own market value and negotiating power. He noted that the budget for international talent often reflects specific factors such as regional star power, travel logistics, and the commercial draw a foreign lead brings to a local production. The veteran actor’s remarks highlight a sensitive issue in the longstanding Ghallywood-Nollywood relationship. By advising Ghanaian actors to "negotiate your own fees," KOK is advocating for a more business-oriented approach to the craft. He argued that pay should remain a private matter between an actor and their employer, determined by the actor's professional track record and the specific requirements of the role. This perspective seeks to shift the narrative away from perceived unfairness toward a focus on individual professional branding and the economic realities of regional film production. As the West African film landscape continues to integrate, these discussions on financial equity and professional conduct remain pivotal for the industry's growth. Kanayo O Kanayo’s critique serves as both a challenge and a piece of professional advice for the Ghanaian acting community to strengthen their standing within the competitive regional market. The conversation underscores the necessity for actors to understand the commercial aspects of the industry, ensuring that as the sector evolves, the focus remains on talent development and sustainable production practices that benefit all stakeholders involved.

PICTURES: Boris Kodjoe returns to roots, named chief in Prampram
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Hollywood Actor Boris Kodjoe Honoured with Honorary Chieftaincy in Prampram Ancestral Home

The celebrated Hollywood actor Boris Kodjoe has been enstooled as an honorary chief in Prampram, Ghana, marking a significant milestone in his personal journey to reconnect with his heritage. The Austrian-born actor, who is of dual Ghanaian and German descent, received the title during a recent visit to the coastal town while working on a documentary project. The honor was bestowed by the Paramount Chief of Prampram, Nene Tetteh Wakah, in recognition of Kodjoe’s international success and his enduring ties to his ancestral home. Prampram holds deep sentimental value for the actor, as it is the birthplace of his late grandfather, Joseph Cecil Ofuatey-Kodjoe. By accepting this honorary chieftaincy, Kodjoe has formalised his connection to the community and his family's lineage. Expressing his deep gratitude through social media, the actor described the enstoolment as an unforgettable experience and highlighted the profound importance of understanding one’s ancestry and identity. He emphasized that the ceremony was a deeply moving tribute to his roots and a reminder of the strength of his family ties. Known for his prominent roles in films and television series such as Soul Food, Brown Sugar, and the Resident Evil franchise, Kodjoe has consistently used his platform to acknowledge his Ghanaian heritage. This latest recognition underscores his commitment to maintaining a visible presence in the country's cultural landscape. Beyond the personal significance for the actor, the event serves as a symbolic bridge between the Ghanaian diaspora and their ancestral lands, illustrating the impact of high-profile figures returning to honour their traditions and history. The enstoolment is expected to further strengthen Kodjoe's ongoing engagement with Ghana as he continues his career on the global stage.

A promotional graphic for 'Volti Vibes 2026', a television program presented by Trek Gh focusing on tourism in the Volta and Oti regions. The background features a scenic view of a hillside village with traditional houses nestled among lush green trees under a bright sky.
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GBC Lifestyle TV Launches ‘Volti Vibes 2026’ to Boost Domestic Tourism in Volta and Oti Regions

The Ghana Broadcasting Corporation (GBC) has officially unveiled "TRekGh 2026 – Volti Vibes," a flagship experiential tourism initiative designed to showcase the diverse attractions of Ghana’s Volta and Oti Regions. Scheduled to take place from October 29 to November 1, 2026, the four-day road trip aims to deepen the appreciation of domestic tourism among Ghanaians and international visitors alike. By blending adventure with cultural discovery, GBC’s Lifestyle TV seeks to provide a platform for travelers to explore the country's varied landscapes and heritage sites beyond the traditional metropolitan hubs. The journey is set to be a deeply immersive experience, taking participants through a curated series of iconic and off-the-beaten-path locations. Itinerary highlights include visits to majestic waterfalls, mountain ranges, and vibrant cultural communities. Beyond mere sightseeing, the program emphasizes direct engagement with local residents, offering patrons a unique opportunity to witness traditional crafts and participate in the rich heritage of the target regions. This "Volti Vibes" edition of the TRekGh series is specifically designed as a comprehensive blend of adventure, culture, and entertainment. According to George Lomotey, GBC’s Acting Director of Marketing, the initiative is a strategic effort to highlight the untapped tourism potential of the Volta and Oti Regions while providing a high-quality leisure experience for patrons. To ensure an intimate and manageable group dynamic, participation is strictly limited to 50 patrons. The expedition will commence in Accra and culminate in a grand finale on November 1, 2026. The cost for the all-inclusive four-day journey is set at GH3,499 per person, which covers the curated travel experience, accommodation, and guided community tours. As Ghana continues to position itself as a premier destination for heritage and adventure tourism, initiatives like TRekGh 2026 play a crucial role in decentralizing tourism activities and supporting regional economies. By focusing on the Volta and Oti Regions, GBC is not only promoting local businesses and traditional artisans but also encouraging a culture of exploration within the Ghanaian populace. Interested participants are urged to secure their spots early, as the state broadcaster anticipates high demand for this exclusive limited-entry cultural odyssey.

Asogli 2026 Yam Festival (Te Za) rounded off with durbar
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Shatta Wale Advocates for Industry Unity and Honours Stonebwoy during Asogli Te Za Festival Climax

The 2026 Asogli Yam Festival (Te Za) concluded in a spectacular display of culture and music, reaching its peak with the MoMoFest X ShattaFest concert in Ho, Volta Region. Thousands of patrons gathered at the Youth Resource Centre to witness dancehall sensation Shatta Wale deliver a marathon four-hour performance that transcended entertainment to become a platform for industry reconciliation. The event served as the entertainment cornerstone for the annual festival, which celebrates the cultural identity of the Asogli State and draws visitors from across the country and the diplomatic community. In a moment that surprised many fans, Shatta Wale used his headline set to bridge the long-standing rivalry within the dancehall community. He performed a rendition of "Putuu," a hit song by his frequent rival and fellow Volta Region native, Stonebwoy, while declaring to the crowd, "Nobody can stop me from loving Stonebwoy." Shatta Wale urged fans to move beyond hostility and embrace collective support for Ghanaian talent, specifically highlighting the contributions of Volta-based artists like Stonebwoy and Edem. This call for unity aims to reshape the narrative between the two largest fanbases in Ghana, encouraging a culture of mutual respect rather than division. The festival's final day also featured a grand durbar at the Ho Jubilee Park, where traditional leaders and government officials gathered to discuss national development. Togbe Afede XIV, the Agbogbomefia of Asogli, delivered a powerful address calling for a collective national fight against corruption and encouraging the youth to embrace entrepreneurship. Representing the government, Chief of Staff Dr. Julius Debrah praised the region’s contributions to national progress and reaffirmed President John Mahama’s administration's commitment to improving local livelihoods through sustained infrastructure development. Beyond the cultural and musical highlights, the MoMoFest X ShattaFest provided a significant economic boost to the local economy. Traders and food vendors at the Adaklu venue reported brisk business, with some experiencing such high demand that prices for goods were adjusted upward. The concert, which was made accessible to fans through brand engagement via apps like MTN MoMo, demonstrated the powerful intersection of traditional festivals, corporate sponsorship, and the arts. As the Te Za celebrations concluded, the prevailing message remained one of unity—both in the music industry and in the broader national pursuit of sustainable development.