Ghana Entertainment News

The latest Ghana entertainment and showbiz news: music, movies, celebrities, and culture. Curated from Ghana's leading newsrooms and refreshed through the day, newest first.

AMVCA 2026: 'My Father’s Shadow' and Linda Ejiofor Triumph Amidst Bold Red Carpet Spectacle in Lagos
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AMVCA 2026: 'My Father’s Shadow' and Linda Ejiofor Triumph Amidst Bold Red Carpet Spectacle in Lagos

The 12th edition of the Africa Magic Viewers’ Choice Awards (AMVCA) transformed the Eko Hotel and Suites in Lagos, Nigeria, into a vibrant hub of African excellence on May 9, 2026. Celebrating a year of outstanding achievements in film, television, and digital storytelling, the event served as a high-profile showcase of Nollywood’s evolving craftsmanship. The ceremony was not only a tribute to cinematic artistry but also a grand stage for extravagant fashion, reinforcing the AMVCA’s status as one of the continent’s most influential entertainment events, where the intersection of culture and cinema is celebrated on a global scale. The night’s top honors saw 'My Father’s Shadow' emerge as a major victor, securing the prestigious Best Movie award along with accolades for Best Director. In a historic feat, Linda Ejiofor dominated the acting categories by winning both Best Lead Actress for 'The Serpent’s Gift' and Best Supporting Actress, a double victory that cemented her place in African film history. Uzor Arukwe was named Best Lead Actor for his performance in 'Colours of Fire,' while Bucci Franklin delivered one of the night’s most emotional moments. After winning Best Supporting Actor for his role in 'To Kill a Monkey,' Franklin dedicated the trophy to his late mother, adding a poignant note to the celebration. Other notable winners included Lateef Adedimeji for Best Indigenous Movie and Uche Montana, who was honored with the Trailblazer Award. Away from the awards stage, the red carpet was a theater of bold and unconventional fashion that dominated social media conversations. Reality TV star Queen Mercy Atang made a viral statement with a gown constructed from 500 loaves of bread, a creative nod to her baking business. Fashion icon Nana Akua Addo continued her streak of architectural daring with a silver gown inspired by the Cologne Cathedral, reflecting grandeur and precision. Uche Montana also stunned in a dramatic red-and-gold phoenix ensemble symbolizing fire and rebirth, matching her achievement as the night's trailblazer. These creative choices highlighted a broader trend of using the AMVCA platform to celebrate cultural heritage and individual artistic expression through avant-garde couture. As the ceremony concluded, the AMVCA once again proved to be a vital barometer for the growth of African entertainment. By spotlighting diverse categories ranging from indigenous films to digital storytelling, the awards have successfully expanded the reach of Nollywood and other regional industries to an international audience. The fusion of high-stakes professional recognition and spectacular showmanship ensures that the AMVCA remains a beacon of inspiration for African creators, signaling a future where the continent's stories and fashion continue to captivate the world.

Black Sherif Dominates 27th Telecel Ghana Music Awards as "Iron Boy" Reigns Supreme
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Black Sherif Dominates 27th Telecel Ghana Music Awards as "Iron Boy" Reigns Supreme

The 27th Telecel Ghana Music Awards (TGMA) concluded on May 9, 2026, at the Grand Arena in Accra, marking a historic night for Ghanaian music dominated by the rise of the "Iron Boy," Black Sherif. The Konongo-born superstar secured the prestigious Artiste of the Year title for the second time, following his initial triumph in 2023. Black Sherif was the evening's biggest winner, taking home five accolades including Album of the Year for his critically acclaimed sophomore project "Iron Boy," Best Hiphop Song for "Where Dem Boys," and Best Afropop Song. In a notable shift for the industry, he also clinched the Songwriter of the Year award for his track "Sacrifice," a category traditionally dominated by Highlife musicians. During his acceptance speech, Sherif revealed that "Iron Boy" took three years to complete and expressed profound gratitude to his fans for their unwavering support. The ceremony also witnessed record-breaking achievements and fierce competition across various genres. Stonebwoy made history by securing his 10th consecutive win as the Best Reggae/Dancehall Artiste of the Year, a feat that has sparked industry debate regarding the need for category restructuring to allow for new talent. Medikal was another standout performer, walking away with four awards, including Best Hiplife/Hiphop Artiste and Best Hiplife Song for his viral anthem "Shoulder," featuring Shatta Wale and Beeztrap KOTM. The event also saw Diana Hamilton reclaim her throne as the Best Gospel Artiste of the Year, while Wendy Shay was crowned the Best Afrobeats/Afropop Artiste. Newcomers were also recognized, with Kofi Owusu Peprah winning his first-ever TGMA for Urban Gospel Song and Kojo Blak being named Best New Artist. Beyond the competitive categories, the evening was filled with emotional tributes and displays of industry camaraderie. Highlife legend Daddy Lumba was honored with a posthumous Lifetime Achievement Award, accompanied by a moving performance of his classics by Ofori Amponsah that saw the auditorium illuminated by thousands of mobile phone lights. On the social front, actress Fella Makafui made headlines for her supportive display, dancing during her ex-husband Medikal's performance, signaling a positive co-parenting relationship. In a significant act of philanthropy, Black Sherif requested that his GHS 100,000 sponsorship package from Guinness Ghana be redirected to support emerging artists Arathejay and Gonaboy, emphasizing his commitment to fostering the next generation of Ghanaian musical talent. The 27th TGMA not only celebrated current excellence but also highlighted the evolving landscape of Ghanaian music on the global stage. From Moliy's success in the Best International Collaboration category for her remix of "Shake It To The Max" featuring Jamaican stars, to Davido's "With You" being named Best African Song, the night underscored the deepening ties between African and Caribbean sounds. As the industry reflects on a year characterized by cohesive storytelling and technical growth, the success of artists like Black Sherif and Kofi Kinaata—who won Best Highlife Artiste and Highlife Song for "It Is Finished"—demonstrates the enduring power of Ghanaian music to resonate both at home and abroad.

From AMVCA Glitz to Diplomatic Milestones: Ghana’s Entertainment Stars Make Waves
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From AMVCA Glitz to Diplomatic Milestones: Ghana’s Entertainment Stars Make Waves

The Ghanaian entertainment landscape has been a whirlwind of international acclaim, diplomatic celebrations, and candid personal revelations this week. Leading the headlines, fashion powerhouse Nana Akua Addo made a definitive statement at the 2026 Africa Magic Viewers’ Choice Awards (AMVCA) in Lagos, while Highlife legend Kojo Antwi participated in the 50th-anniversary celebrations of the European Union-Ghana partnership. These events underscore the significant influence of Ghanaian talent on both the continental and diplomatic stages, showcasing a blend of artistic innovation and cultural diplomacy. At the AMVCA 12 in Nigeria, Nana Akua Addo reaffirmed her status as a red-carpet maven with a breathtaking Gothic cathedral-inspired gown. The ensemble, featuring a sleek strapless bodice and an architectural skirt with towering silver and grey spires, merged fashion with sculptural design in a way that captivated social media audiences. Meanwhile, in Accra, Kojo Antwi joined EU diplomats for European Union Day. The event celebrated five decades of cooperation through music, food, and art, with Antwi expressing profound gratitude for the invitation and highlighting the power of cultural exchange in strengthening international ties. On the domestic front, the industry saw a mix of humor and vulnerability as actor Don Little shared a personal story of romantic rejection. In a recent interview, he recounted being turned down by TikTok influencer Sheedon, who reportedly expressed a preference for a taller partner to ensure her children would have balanced height. Little challenged her logic, noting that her own parents were of shorter stature, while also revealing that social media sensation Shatta Bandle is also vying for Sheedon’s attention. The situation has sparked widespread discussion regarding the complexities of celebrity dating and public perceptions of stature and wealth. Providing a more contemplative perspective on the industry, Reverend Eric Nii-Noi Thompson recently reflected on his transition from a media professional to a spiritual leader. Once a prominent cameraman and publicity officer, Thompson's career path shifted dramatically following an interdiction at his workplace. This period of professional uncertainty led to deep introspection and his eventual calling to the pulpit. His story, alongside the triumphs of Addo and Antwi, paints a picture of a vibrant and resilient Ghanaian creative sector where professional evolution and personal growth go hand-in-hand.

From Creativity to Cash Flow: Kuami Eugene and Kwesi Ernest Outline the Realities of the Ghanaian Music Industry
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From Creativity to Cash Flow: Kuami Eugene and Kwesi Ernest Outline the Realities of the Ghanaian Music Industry

Award-winning musician Kuami Eugene has sparked significant conversation regarding the financial and creative inner workings of the Ghanaian music industry, asserting that artists have the potential to earn as much as $100,000 monthly. His optimistic outlook on the industry's profitability comes alongside a fascinating look into the spontaneous recording style of dancehall icon Shatta Wale and a stern warning from veteran manager Kwesi Ernest regarding the legal pitfalls of record deals. Together, these insights paint a picture of an industry brimming with potential but requiring a high degree of business acumen and professional caution to navigate successfully. Speaking on his own career trajectory, Kuami Eugene revealed his recent departure from Lynx Entertainment after a fulfilling eight-year tenure, describing the transition as entirely amicable and free of disagreement. He emphasized that the Ghanaian music scene is increasingly lucrative for those who diversify their income through various streams, including high-profile endorsement deals and consistent stage performances. Despite his financial success and industry standing, Eugene expressed a sense of creative restlessness, noting that he has grown somewhat exhausted by his consistent dominance in the Highlife award category and now desires recognition for a broader range of musical styles. Adding to his industry reflections, Eugene provided a rare glimpse into the studio sessions of fellow artist Shatta Wale, humorously remarking, "I'm not sure he even has a pen." He described Shatta Wale’s creative process as one driven by pure instinct and raw energy, where the artist prefers loud music and improvisational freestyling over traditional lyric writing. According to Eugene, this unconventional method is highly effective; the high-energy atmosphere created during these sessions translates directly into the final recordings, providing the infectious vitality that resonates so strongly with his audience. However, the optimism surrounding potential earnings and creative freedom is tempered by the harsh legal realities of the music business. Artiste manager Kwesi Ernest has issued a stark warning to up-and-coming musicians about the dangers of signing restrictive contracts out of desperation. Describing some predatory agreements as artists literally "signing away their intestines," Ernest urged performers to never sign deals without proper legal guidance. He emphasized the necessity of a collaborative front between the artist, manager, and lawyer to identify unfavorable clauses that could significantly restrict a musician's career and autonomy. As the industry continues to evolve, these veteran voices underscore that success depends as much on legal protection as it does on raw talent.

Ghana Celebrates Motherhood with Spiritual Tributes, Grand Events, and Specialized Entertainment
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Ghana Celebrates Motherhood with Spiritual Tributes, Grand Events, and Specialized Entertainment

Across Ghana, Mother's Day is being marked by a diverse and vibrant array of celebrations, ranging from high-end hospitality events to spiritual exhortations and dedicated media programming. The nation has come together to honor the pivotal role mothers play in both the family and the wider community. Organizations such as Graphic Communications Group and the Multimedia Group have spearheaded flagship events, including The Mirror’s annual Mother’s Day buffet at the Labadi Beach Hotel and Joy FM’s "Mummy’s Day Out" at Crown Forest Bon Hotel. These gatherings offered mothers everything from gourmet meals prepared by top chefs to adventurous activities like horseback riding and safari tours, emphasizing the importance of relaxation and bonding for maternal figures. Adding a deeper dimension to the festivities, Princess Jannis Acheampong, CEO of the Princess Jannis Foundation, has called on Ghanaians to move beyond annual celebrations toward a culture of daily appreciation for mothers' sacrifices. Her foundation is specifically targeting community empowerment through events that support widows and disadvantaged mothers. In a similar vein of maternal responsibility, Apostle Rita Korankye Ankrah has issued a spiritual call to action, reminding mothers of their unique spiritual authority. She emphasized that a mother’s prayer is essential for protecting the destinies of her children, urging intentional and specific prayers as part of their essential role in the household. Broadcasting giants DStv and GOtv have also joined the tribute by dedicating the entire month of May to maternal figures. Their curated programming caters to a wide spectrum of mothers, from sports enthusiasts watching the UEFA Champions League and FA Cup finals to fans of reality TV and drama. Key highlights include the Africa Magic Viewers’ Choice Awards and special features on shows like "Wura" and "MasterChef Nigeria." By branding these offerings around various personas—such as "Drama Moms," "Foodie Moms," and "Action-Loving Moms"—the platforms aim to celebrate the multifaceted nature of motherhood through shared family experiences. These combined efforts reflect a national consensus on the central importance of mothers as the "heart of the home." Whether through luxury dining, outdoor adventure, or spiritual reflection, the various initiatives underscores the profound influence mothers exert on Ghanaian society. As the month-long celebrations conclude, the underlying message from both corporate and spiritual leaders remains clear: the recognition of maternal love and sacrifice should be a permanent fixture of daily life rather than a fleeting seasonal gesture.

Black Sherif Leads Predictions as 27th Telecel Ghana Music Awards Kick Off in Accra
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Black Sherif Leads Predictions as 27th Telecel Ghana Music Awards Kick Off in Accra

The 27th edition of the Telecel Ghana Music Awards (TGMA) officially commenced on May 9, 2026, at the Grand Arena of the Accra International Conference Centre. Organized by Charterhouse Productions, the prestigious event remains the pinnacle of recognition in the Ghanaian music industry, drawing thousands of fans and celebrities for a night of celebration. With over 25 categories contested, the ceremony recognizes excellence based on a combination of streaming figures, media visibility, and public voting, highlighting the dynamic growth of the nation's music scene. High anticipation surrounds the coveted Artiste of the Year category, where Black Sherif has emerged as the heavy favorite with a projected 55% probability of winning. Following a stellar year defined by his hit album "Iron Boy," the young sensation leads the pack in streaming numbers and critical acclaim. However, the competition remains fierce, with industry heavyweights such as Wendy Shay, Stonebwoy, Sarkodie, Medikal, and Diana Hamilton all vying for the top honors. Analysts point to Wendy Shay as a formidable challenger, carrying significant industry support and a 24% win probability following her recent international accolades. Beyond the top prize, the 27th TGMA explores the rare "treble" achievement—winning Artiste of the Year, Best Genre Artiste, and Album of the Year in a single night. Historically, only four artists, including Sarkodie and Stonebwoy, have ever achieved this feat, and projections suggest Black Sherif is well-positioned to become the fifth. Other key categories see Medikal’s "Shoulder" as a frontrunner for Most Popular Song due to intense fan mobilization, while newcomer Kojo Blak is highly favored to secure the Best New Artiste title, backed by seven nominations across various categories. The evening's festivities began with a glamorous "A Touch of Glitter" themed red carpet, showcasing the fashion and flair of Ghana's entertainment elite. As live performances from top nominees electrify the stage, the ceremony serves as both a reflection of current musical excellence and a chronicle of legendary careers. With historical nomination streaks like Sarkodie’s 14-year run still fresh in public discourse, the 27th TGMA continues to shape the narrative of Ghanaian music, offering a vibrant platform for both established icons and rising stars to secure their place in history.

Yaw Sarpong Laid to Rest: Ghanaian Gospel Legend Honored as Family Appeals for Legacy Preservation
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Yaw Sarpong Laid to Rest: Ghanaian Gospel Legend Honored as Family Appeals for Legacy Preservation

On May 9, 2026, the town of Asuofua in the Ashanti Region became the focal point of a national tribute as Ghanaian gospel legend Yaw Sarpong was laid to rest. The burial of the iconic founder of the Asomafo Band drew thousands of mourners, including family members, friends, and fans who gathered at the Asuofua Town Park to pay their final respects. Sarpong, whose career spanned nearly five decades, was celebrated for his transformative influence on the Ghanaian music scene, particularly for his ability to blend traditional rhythms with powerful, faith-filled messages that resonated across generations. The ceremony was attended by a diverse array of notable figures, reflecting Sarpong's broad impact across various sectors of Ghanaian society. High-profile attendees included business mogul Osei Kwame Despite and celebrated actress Nana Ama McBrown, alongside several political leaders and dignitaries. The atmosphere was one of both solemnity and celebration, as speakers reflected on his extensive discography and his recent honors, including the prestigious Lifetime Achievement Award at the 2025 Telecel Ghana Music Awards (TGMA). His most famous works, such as the hit 'Wo Haw Ne Sen,' were cited as cornerstones of the genre that provided comfort and inspiration to many. Central to the funeral proceedings was a passionate appeal from the bereaved family and supporters to ensure that Sarpong’s musical legacy continues to thrive. Mourners and speakers urged radio stations, churches, and event organizers to maintain frequent airplay of his songs, emphasizing their life-changing impact and positive messaging. Furthermore, there were calls for the government and music industry philanthropists to honor his memory with statues in major hubs like Accra and Kumasi. To ensure his work remains accessible to younger audiences, the family announced plans to collaborate with industry stakeholders to formally document and archive his extensive body of recordings. As the final rites in Asuofua concluded, the community prepared for a thanksgiving service scheduled for May 10, 2026, at Sokoban-Ampayoo. The legacy of Yaw Sarpong, defined by his unique voice and spiritual depth since his rise to prominence in the 1990s, remains a vital part of Ghana's cultural heritage. By prioritizing the preservation of his music and life’s work, the Ghanaian music industry aims to honor a man whose artistry bridged the gap between the traditional and the contemporary, ensuring his spiritual messages continue to inspire future generations.

Shakira and Burna Boy Team Up for Official 2026 World Cup Anthem 'Dai Dai'
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Shakira and Burna Boy Team Up for Official 2026 World Cup Anthem 'Dai Dai'

Colombian pop icon Shakira has officially announced her return to the global football stage with 'Dai Dai,' the official anthem for the 2026 FIFA World Cup. In a move that bridges Latin and African musical influences, the track features Nigerian Afro-fusion superstar Burna Boy. The announcement was made through a captivating one-minute teaser video shared on Instagram, filmed at the historic Maracana Stadium in Brazil. The new anthem is scheduled for release on May 14, setting the stage for the tournament hosted across the United States, Mexico, and Canada. This collaboration marks a significant milestone for both artists. For Burna Boy, it represents a high-profile expansion of Afrobeats into the world's most-watched sporting event. For Shakira, 'Dai Dai' serves as her second official World Cup anthem, following the legendary success of 'Waka Waka (This Time for Africa)' during the 2010 tournament in South Africa. The teaser has already generated significant buzz, highlighting the chemistry between the two global stars and their ability to create high-energy, cross-cultural hits. Shakira’s legacy with the World Cup is unparalleled in the music industry. Beyond her 2010 hit, she also provided the song 'La La La' for the 2014 tournament in Brazil and performed at the closing ceremonies of both the 2006 and 2014 editions. Her consistent presence has made her a symbol of the tournament's festive and unifying spirit. As her home nation of Colombia prepares to compete in the expanded 48-team tournament, this new track is poised to become the soundtrack for fans worldwide. The 2026 World Cup is set to run from June 11 to July 19, 2026, and the unveiling of 'Dai Dai' signals the start of the cultural countdown to the event. By incorporating diverse sounds and top-tier global talent, FIFA aims to reflect the multicultural nature of the host nations. Fans and critics alike are eager to see if this new collaboration can replicate the cultural impact and longevity of Shakira's previous tournament themes, which remain staples of sports celebrations years after their release.

Ghana’s Cultural Crossroads: Navigating Morality, Industry Feuds, and National Remembrance
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Ghana’s Cultural Crossroads: Navigating Morality, Industry Feuds, and National Remembrance

The Ghanaian entertainment and social landscape is currently navigating a complex intersection of moral debate, industry friction, and national reflection. Central to this discourse is the ongoing controversy surrounding the Karnival Kingdom Festival. While the Ghana Catholic Bishops’ Conference condemned the event for alleged public nudity and undermining Ghanaian values, veteran filmmaker Socrate Safo has hit back at critics. Speaking on Peace FM, Safo defended the festival, asserting that no illegal sexual activities occurred and questioning the criminalization of activities like twerking, which he compared to traditional rites. Amidst this backlash, the Ministry of Tourism, Culture and Creative Arts, through Abla Dzifa Gomashie, officially distanced itself from the event, clarifying that it never authorized the festival and reminding organizers of the necessity of following established approval procedures. Parallel to these public morality debates, the music industry is witnessing fresh tensions as dancehall artiste Shatta Wale publicly criticized music executive George Britton. During a TikTok Live session, Shatta Wale accused Britton of "clout-chasing" and "attention-seeking" after the executive, who recently relocated to the United Kingdom, attempted to offer career advice. Wale dismissed the necessity of Britton’s social media promotion, emphasizing that he did not seek his help and questioning the validity of receiving guidance from someone who has moved abroad to restart their own life. This clash highlights the ongoing volatility and personality-driven dynamics within the Ghanaian creative economy. On the social commentary front, Joy Prime’s latest episode of "The Brotherhood" sparked significant conversation regarding the evolution of male friendships and personal accountability. Panelists including Dr. Desmond Kofi Annan, Zeal, and Shed Lamptey identified critical "red flags" in social circles, such as violence against women, a lack of personal ambition, and breaches of trust like "snitching" or inappropriate closeness to a friend’s partner. The panel urged men to audit their social circles, prioritizing loyalty, growth, and respect. This discussion mirrors a broader national sentiment regarding the audit of values, which was also reflected in the annual May 9 dilemma—the debate over whether national celebrations are appropriate on the anniversary of the 2001 Accra Sports Stadium disaster, which claimed 126 lives. Ultimately, these disparate events—ranging from festival controversies and celebrity feuds to deep dives into masculinity—underscore a nation grappling with its identity. Whether it is the Ministry of Tourism’s call for procedural compliance or the public’s struggle to balance national mourning with progress, the common thread is a demand for character and respect for established norms. As the organizers of the Karnival Kingdom Festival look ahead to 2027 and the music industry continues its internal disputes, the Ghanaian public remains engaged in a critical dialogue about what defines contemporary Ghanaian culture and the boundaries of its creative expression.

Ghana’s Creative Arts Industry: Navigating Revenue Challenges, Professional Growth, and Global Recognition
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Ghana’s Creative Arts Industry: Navigating Revenue Challenges, Professional Growth, and Global Recognition

Ghana’s creative arts and entertainment industry is undergoing a significant transformation, marked by a push for professionalization and calls for structured investment. Abla Dzifa Gomashie, former Minister for Tourism, Culture and Creative Arts, has urged for a national mindset shift to recognize creative professionals as essential to national development and cultural identity. Despite the sector's growth, stakeholders highlight a lack of corporate sponsorship and an undervaluation of practitioners, particularly in niche areas like choral music. This call for support comes at a time when the industry is grappling with both immense financial potential and systemic hurdles, including inadequate infrastructure at venues like the National Theatre. The economic viability of the sector remains a central theme, with high-profile figures offering differing perspectives on revenue. Musician Kuami Eugene recently asserted that Ghanaian artists could earn up to $100,000 monthly by diversifying income through streaming, endorsements, and live performances. However, Derrick Annor Boadi, digital marketer for Kweku Smoke, warns that a cultural habit of expecting 'free shows'—often rooted in childhood experiences—is stifling the entertainment economy. To navigate these complexities, veteran actor Adjetey Anang emphasizes the necessity of professional management, arguing that dedicated representation allows artists to focus on refining their craft rather than managing logistics and negotiations independently. Individual success stories continue to highlight the versatility and reach of Ghanaian talent across the media landscape. Alexander Fifi Abaka’s career trajectory from co-founding the music blog Ghanandwom.com to producing television shows like 'Accra Stay By Plan' illustrates the integration of digital media and production strategy. In the literary and journalistic realm, NanaBanyin Dadson, now an academic head at AUCB, reflected on his legacy as the person who coined the title 'Graphic Showbiz' and his decades of mentoring junior journalists. Internationally, actor Anthony Woode has drawn significant praise within the Nollywood industry for his realistic performances in films like 'Renewed,' showcasing the expanding global footprint of Ghanaian performers through digital streaming platforms. Looking toward the future, industry veterans are placing a heavy emphasis on mentorship and career planning for the next generation. Padiki Padi, a Guinness World Record holder, recently joined 'The Art Peeps' to encourage students at Accra Girls Senior High School to pursue visual arts as a disciplined career rather than a mere hobby. This sentiment is echoed by Nanabanyin Dadson, who advises young creatives to ignore distractions and maintain a clear plan to overcome professional hurdles. By combining mentorship with a shift toward paid entertainment experiences and better infrastructure, industry leaders believe Ghana can fully realize the potential of its creative economy and preserve its rich cultural heritage.

Family, Faith, and Fame: Ghanaian Public Figures Reflect on the Complexities of Motherhood and Legacy
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Family, Faith, and Fame: Ghanaian Public Figures Reflect on the Complexities of Motherhood and Legacy

In a series of deeply personal revelations, several of Ghana’s most prominent public figures have recently opened up about their family journeys, offering a rare glimpse into the private experiences that shape their public lives. From the challenges of late-age motherhood discussed by Apostle Rita Korankye Ankrah to the emotional scars of childhood loss shared by singer Wendy Shay, these narratives highlight a broader societal conversation about the sacrifices and bonds that define the Ghanaian family unit. These stories emerge alongside nationwide celebrations, such as West Hills Mall’s ‘Shop & Smile with Mama’ campaign, which sought to honor mothers through wellness screenings and rewards, reinforcing the cultural mandate to appreciate maternal figures beyond a single holiday. Apostle Rita Korankye Ankrah, a leader within the Royal Ladies organization, shared a particularly poignant account of her journey, admitting she felt "too old" when she became pregnant with her fourth child at nearly 40. She recounted grueling labor experiences, including one lasting 48 hours, and even hosing her pregnancy due to age-related unease. Her reflections emphasized the transformative power of motherhood and the necessity of intentionality in raising children to surpass their parents' achievements. Similarly, the joy of a growing legacy was echoed by former President John Dramani Mahama, who celebrated the arrival of his second granddaughter, Thanina Gyamfua Mahama. His heartfelt social media post congratulated his son Shafik and daughter-in-law Asma, signaling the deep fulfillment found in his expanding role as a grandfather. Contrasting these narratives of presence are the stories of paternal influence and its absence. Afropop star Wendy Shay candidly discussed the impact of losing her father at the age of two, revealing that the lack of a father figure fostered a profound sense of independence but also made her more comfortable with solitude and cautious in her emotional reliance on others. Conversely, Nigerian-born star Mr Eazi reflected fondly on his father’s career as a military pilot and personal pilot for former President Olusegun Obasanjo. These childhood memories, which included visits to the former president’s farm, served as a catalyst for his own ambitions, illustrating how paternal legacy can inspire a drive for freedom and professional success. Beyond immediate parental ties, other figures have highlighted the importance of extended family and mentorship in shaping their trajectories. Bishop Daniel Obinim recently revealed his familial connection to businessman Dr. Ernest Ofori Sarpong, noting that they are cousins who grew up in the same household. Obinim credited Ofori Sarpong with introducing him to the real estate sector, proving how family networks often underpin professional growth in Ghana. Collectively, these stories—ranging from the celebration of new life to the reconciliation with past hardships—underscore a unified message: whether through biological ties or adoption and mentorship, the nurturing of the next generation remains a central pillar of Ghanaian identity and success.

27th Telecel Ghana Music Awards: Grand Arena Set to Host Star-Studded Night as Artiste of the Year Race Heats Up
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27th Telecel Ghana Music Awards: Grand Arena Set to Host Star-Studded Night as Artiste of the Year Race Heats Up

The 27th edition of the Telecel Ghana Music Awards (TGMA) is set to take place on May 9, 2026, marking a significant transition as the event moves to the Grand Arena at the Accra International Conference Centre. Charterhouse Productions announced the venue change from the Palms Convention Centre to accommodate the ceremony's expanding scale and the need for enhanced technical infrastructure. This shift highlights the growing prestige of the awards, which serve as the pinnacle of recognition in the Ghanaian music industry. Scheduled to begin at 7 PM, the night promises to be a spectacular showcase of talent and production excellence. The spotlight of the evening remains firmly on the highly competitive Artiste of the Year category, featuring a diverse lineup of Ghana's musical heavyweights. Contenders include Black Sherif, whose record-breaking streaming numbers have dominated the charts, and Stonebwoy, who returns with strong momentum from his latest EP. They are joined by veteran rapper Sarkodie, making a return to the category, and Diana Hamilton, the sole gospel representative this year. Wendy Shay also enters the race following the commercial success of her recent album, while Medikal’s viral singles have solidified his place as a top contender. Adding to the pre-event buzz, highlife and afrobeat star Kuami Eugene has publicly endorsed Medikal for the night’s biggest prize. Speaking in an interview, Eugene noted that while the category is exceptionally competitive—recognizing the impact of artists like Wendy Shay—Medikal's extensive and loyal fanbase gives him a significant edge in the voting process. Despite the high stakes, industry observers have noted that public discourse surrounding this year's nominations has been somewhat more subdued compared to previous years, indicating a possible shift in how fans engage with award season dynamics. As the industry gathers at the Grand Arena, the 27th TGMA represents more than just a trophy presentation; it is a reflection of the evolving landscape of Ghanaian music. Whether the night favors the streaming dominance of Black Sherif, the consistent delivery of Stonebwoy and Sarkodie, or the fan-driven momentum of Medikal, the ceremony will undoubtedly set the tone for the industry's trajectory in the coming year. Fans across the country and the diaspora are eagerly waiting to see who will walk away with the ultimate crown of the evening.